{"id":5725,"date":"2020-10-13T11:30:36","date_gmt":"2020-10-13T09:30:36","guid":{"rendered":"https:\/\/joanmf.com\/black-marc-mellits\/"},"modified":"2025-06-22T23:37:44","modified_gmt":"2025-06-22T21:37:44","slug":"black-marc-mellits","status":"publish","type":"post","link":"https:\/\/joanmf.com\/es\/black-marc-mellits\/","title":{"rendered":"BLACK, Marc Mellits"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter wp-image-5720 size-full\" src=\"https:\/\/joanmf.com\/wp-content\/uploads\/2024\/01\/MARC-MELLITS.jpg\" alt=\"\" width=\"940\" height=\"788\" srcset=\"https:\/\/joanmf.com\/wp-content\/uploads\/2024\/01\/MARC-MELLITS.jpg 940w, https:\/\/joanmf.com\/wp-content\/uploads\/2024\/01\/MARC-MELLITS-300x251.jpg 300w, https:\/\/joanmf.com\/wp-content\/uploads\/2024\/01\/MARC-MELLITS-768x644.jpg 768w\" sizes=\"(max-width: 940px) 100vw, 940px\" \/><\/p>\n<blockquote><p>Esta obra, escrita en estilo minimalista o de m\u00fasica repetitiva, es muy amena y muy efectista. Te encantar\u00e1 tocarla y el p\u00fablico lo pasar\u00e1 genial escuch\u00e1ndoos. \u00a1Adelante!<\/p><\/blockquote>\n<h2>El compositor<\/h2>\n<p>MARC MELLITS (Baltimore, USA, 1966), adem\u00e1s de compositor, es tambi\u00e9n profesor e int\u00e9rprete. Sus composiciones se tocan normalmente por todo el mundo. Sus obras tienen una clara influencia del minimalismo y de la m\u00fasica rock y se asocian con el estilo postminimalista.<\/p>\n<p>Mellits es miembro fundador del <em>Common Sense Composer\u2019s Collective<\/em>, centrados en nuevas v\u00edas (o alternativas) de colaboraci\u00f3n entre diferentes ensembles. \u00c9l es tambi\u00e9n el director art\u00edstico y teclista del <em>Mellits Consort<\/em>.<\/p>\n<p><a href=\"https:\/\/www.marcmellits.com\/bio\"><strong>Clica aqu\u00ed<\/strong><\/a> para saber m\u00e1s sobre el compositor.<\/p>\n<h2>Detalles de la obra<\/h2>\n<p>Edici\u00f3n: Marc Mellits \/ Dacia Music (ASCAP)<br \/>\nDuraci\u00f3n: ca. 5:00<br \/>\n\u00c1mbito (escrito): LA2 \u2013 LA4 (bar\u00edtono 1\u00ba) \/ LA2 \u2013 FA#4 (bar\u00edtono 2\u00ba)<br \/>\nT\u00c9CNICAS: Precisi\u00f3n de picados, pulsaci\u00f3n estable, afinaci\u00f3n.<br \/>\nINTERPRETACI\u00d3N: Tocar con soltura y mucha energ\u00eda. Encontrar el car\u00e1cter adecuado para cada patr\u00f3n y secci\u00f3n. Conjunci\u00f3n con el otro bar\u00edtono.<\/p>\n<p><iframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1717199400&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\" width=\"100%\" height=\"300\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<div style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"><a style=\"color: #cccccc; text-decoration: none;\" title=\"Joan Mart\u00ed-Frasquier\" href=\"https:\/\/soundcloud.com\/joan-mart-frasquier\" target=\"_blank\" rel=\"noopener\">Joan Mart\u00ed-Frasquier<\/a> \u00b7 <a style=\"color: #cccccc; text-decoration: none;\" title=\"BLACK (2008\/11) for Two Baritone Saxophones. Marc Mellits\" href=\"https:\/\/soundcloud.com\/joan-mart-frasquier\/black-200811-for-two-baritone-saxophones-marc-mellits\" target=\"_blank\" rel=\"noopener\">BLACK (2008\/11) for Two Baritone Saxophones. Marc Mellits<\/a><\/div>\n<div>\n<h2>Significado y estructura de Black<\/h2>\n<p>BLACK se compuso en 2008 para d\u00fao de clarinetes bajos. Viendo el gran \u00e9xito que tuvo desde un principio, Mellits la adapt\u00f3 r\u00e1pidamente para dos saxofones bar\u00edtonos y otros d\u00faos como fagotes, flautas de pico bajas o bajos el\u00e9ctricos. A partir de 2015, hizo versiones para cuarteto de clarinetes, saxofones o percusi\u00f3n, entre otros.<\/p>\n<blockquote><p>BLACK fue compuesta originalmente para dos clarinetes bajos amplificados y escrita para el d\u00fao de virtuosos \u201cSqwonk\u201d. Los dos m\u00fasicos entretejen patrones entrelazados, creando un tejido musical completamente integrado. En este universo \u201cintegrado\u201d, los m\u00fasicos son iguales y se complementan entre ellos. A medida que los patrones musicales se desarrollan, tambi\u00e9n se mueven y cambian, permitiendo que las facciones se desv\u00eden y vayan siempre adelante. Son cinco minutos de r\u00e1fagas de notas que se combinan y se fusionan en un todo. Black es tambi\u00e9n uno de los d\u00faos para instrumentos graves m\u00e1s interpretados en todo el mundo (notas del programa por Marc Mellits)<\/p><\/blockquote>\n<p>Hablemos un poco m\u00e1s sobre la versi\u00f3n a d\u00fao. Los dos bar\u00edtonos dialogan constantemente durante toda la obra. Hay unos pocos patrones que se tocan al un\u00edsono para romper con el efecto de \u201ccontinuo\u201d. Predomina la din\u00e1mica en <strong>f<\/strong> en casi toda la pieza, aunque se encuentran tambi\u00e9n algunos <strong>mf<\/strong> , <strong>ff<\/strong>) y alg\u00fan regulador. S\u00ed, el car\u00e1cter es \u201cfuerte y r\u00edtmico\u201d pero si tocas algunos patrones un poco m\u00e1s ligeros o m\u00e1s suaves o fuertes, seg\u00fan el momento y las indicaciones, pienso que el resultado final de la obra es mucho mejor. Si sois m\u00fasic@s creativ@s, lo ver\u00e9is enseguida.<\/p>\n<p>BLACK tiene tres grandes secciones, seg\u00fan sus tempos, pulsaci\u00f3n y car\u00e1cter:<\/p>\n<ol>\n<li>TEMPO I (compases 1 a 100): El tempo es negra = ca. 240 (o blanca con puntillo = ca. 80, seg\u00fan veas). El principio est\u00e1 escrito en comp\u00e1s de \u00be con una pulsaci\u00f3n muy s\u00f3lida y despu\u00e9s cambia a comp\u00e1s de 6\/8 en un car\u00e1cter de danza similar al de una \u201ctarantella\u201d.<\/li>\n<li>TEMPO II (compases 101 a 216): El tempo es ligeramente m\u00e1s lento (negra = ca. 200 \/ o blanca = ca. 100) y esta secci\u00f3n es m\u00e1s r\u00edtmica, m\u00e1s \u201cFunky\u201d. Yo lo paso genial tocando los patrones en un\u00edsono y aquellos en di\u00e1logo con los SI y LA graves.<\/li>\n<li>TEMPO I (compases 217 a 289): Aqu\u00ed nos reencontramos con algunos de los patrones de la primera secci\u00f3n en diferente orden y con menos repeticiones. La coda final da a la obra mucha energ\u00eda.<\/li>\n<\/ol>\n<h5>&#8212;<\/h5>\n<p>\u00bfTe gustar\u00eda saber m\u00e1s cosas de BLACK de Marc Mellits? \u00bfTe gustar\u00eda trabajarla conmigo? \u00a1No dudes a <a href=\"https:\/\/joanmf.com\/es\/contacto\/\">contactarme<\/a>!<\/p>\n<p>Joan Mart\u00ed-Frasquier<br \/>\nBarcelona, enero 2024<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Esta obra, escrita en estilo minimalista o de m\u00fasica repetitiva, es muy amena y muy efectista. Te encantar\u00e1 tocarla y el p\u00fablico lo pasar\u00e1 genial escuch\u00e1ndoos. \u00a1Adelante! El compositor MARC MELLITS (Baltimore, USA, 1966), adem\u00e1s de compositor, es tambi\u00e9n profesor e int\u00e9rprete. Sus composiciones se tocan normalmente por todo el mundo. Sus obras tienen una &#8230; <a title=\"BLACK, Marc Mellits\" class=\"read-more\" href=\"https:\/\/joanmf.com\/es\/black-marc-mellits\/\" aria-label=\"Leer m\u00e1s sobre BLACK, Marc Mellits\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":5,"featured_media":5722,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"generate_page_header":"","footnotes":""},"categories":[32],"tags":[453,455,71,454,456],"class_list":["post-5725","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire-es","tag-black-es","tag-duo-de-saxofones-baritonos","tag-joan-marti-frasquier-es","tag-marc-mellits-es","tag-musica-minimal-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>BLACK, Marc Mellits<\/title>\n<meta name=\"description\" content=\"BLACK, escrita en estilo minimalista o de m\u00fasica repetitiva, 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