{"id":2670,"date":"2025-03-01T01:20:27","date_gmt":"2025-03-01T00:20:27","guid":{"rendered":"https:\/\/joanmf.com\/?p=2670"},"modified":"2026-08-22T08:44:09","modified_gmt":"2026-08-22T06:44:09","slug":"mujeres-compositoras","status":"publish","type":"post","link":"https:\/\/joanmf.com\/es\/mujeres-compositoras\/","title":{"rendered":"Mujeres compositoras y saxof\u00f3n: repensando el repertorio"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter wp-image-2664 size-full\" src=\"https:\/\/joanmf.com\/wp-content\/uploads\/2021\/03\/Captura-de-pantalla-2021-03-07-a-les-11.23.12.jpg\" alt=\"\" width=\"533\" height=\"333\" srcset=\"https:\/\/joanmf.com\/wp-content\/uploads\/2021\/03\/Captura-de-pantalla-2021-03-07-a-les-11.23.12.jpg 533w, https:\/\/joanmf.com\/wp-content\/uploads\/2021\/03\/Captura-de-pantalla-2021-03-07-a-les-11.23.12-300x187.jpg 300w\" sizes=\"(max-width: 533px) 100vw, 533px\" \/><\/p>\n<p>La imagen que he escogido para este post procede de la cuenta de twitter del <a href=\"http:\/\/www.womencomposersfestivalhartford.com\/\">Festival de Hartford de Mujeres Compositoras<\/a> (Hartford, Connecticut, USA)<\/p>\n<p class=\"PDq2pG_selectionAnchorContainer\" data-start=\"530\" data-end=\"904\">La encontr\u00e9 hace tiempo y me hizo reflexionar sobre las desigualdades de g\u00e9nero que todav\u00eda persisten tanto en el mundo de la m\u00fasica como en la sociedad en general, una realidad que me resulta dif\u00edcilmente justificable hoy en d\u00eda.<\/p>\n<p data-start=\"906\" data-end=\"1106\">Pero, sobre todo, me llev\u00f3 a una idea tan sencilla como necesaria: programar obras de mujeres compositoras deber\u00eda formar parte con toda naturalidad de la vida musical, y no ser una moda pasajera.<\/p>\n<h2 data-start=\"906\" data-end=\"1106\">Mirar atr\u00e1s para avanzar<\/h2>\n<p>No podemos cambiar un pasado en el que el papel de las mujeres en la m\u00fasica fue demasiado a menudo marginal, especialmente en el \u00e1mbito de la composici\u00f3n. Pero s\u00ed tenemos una responsabilidad en el presente: combatir cualquier forma de discriminaci\u00f3n, tambi\u00e9n la de g\u00e9nero, y contribuir a construir unas bases m\u00e1s s\u00f3lidas e inclusivas para las futuras generaciones de artistas.<\/p>\n<h2>El repertorio del saxof\u00f3n como oportunidad<\/h2>\n<p>Afortunadamente, que el saxof\u00f3n disponga de un repertorio original bastante reciente permite que se interpreten con frecuencia obras de compositoras como Paule Maurice, Jeanine Rueff, Ida Gotkovsky o Betsy Jolas, entre muchas otras.<\/p>\n<p>Si te interesa conocer m\u00e1s obras para saxof\u00f3n de mujeres compositoras, encontrar\u00e1s una gran cantidad de piezas para saxof\u00f3n bar\u00edtono en el <a href=\"https:\/\/joanmf.com\/es\/repertorio-general-para-saxofon-baritono\/\">Repertorio General<\/a> del blog de mi p\u00e1gina web.<\/p>\n<h2>Una selecci\u00f3n personal<\/h2>\n<p class=\"PDq2pG_selectionAnchorContainer\" data-start=\"2067\" data-end=\"2286\">A continuaci\u00f3n encontrar\u00e1s una selecci\u00f3n de obras de mujeres compositoras que he interpretado en concierto. Algunas tambi\u00e9n est\u00e1n grabadas, y he a\u00f1adido los enlaces correspondientes para que puedas escucharlas o verlas.<\/p>\n<p data-start=\"2288\" data-end=\"2526\">Para ser completamente honesto, no he incluido ninguna obra que no haya pasado antes por mi sala de estudio. Espero que, con el tiempo, muchas m\u00e1s de estas piezas acaben llegando a los escenarios y que se vayan incorporando otras nuevas.<\/p>\n<p data-start=\"2528\" data-end=\"2587\">Este es mi repertorio de obras de mujeres compositoras:<\/p>\n<h4><strong>BENITO, Isabel.<\/strong><\/h4>\n<ol>\n<li><strong><em>Quasi uno Specchio<\/em>,\u00a0<\/strong>para saxof\u00f3n bar\u00edtono solo (2020)\n<ul>\n<li><a href=\"https:\/\/open.spotify.com\/album\/7xQXH0ilLZTZ9yV8TH3ku1?si=gxwtfvrIQhmIeYxvjdbs_w\"><strong>\u00a1Esc\u00fachala!<\/strong><\/a><br \/>\n<strong>&gt;&gt;&gt;<a href=\"https:\/\/joanmf.com\/es\/suite-mixtur\/\">Clica aqu\u00ed<\/a><\/strong> para saber m\u00e1s de esta obra.<\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<h4><strong>CAPDEVILA, Merc\u00e8.<\/strong><\/h4>\n<ol>\n<li><strong><em>A Chillida<\/em>, <\/strong>para saxof\u00f3n bar\u00edtono modulado en tiempo real y\u00a0<span class=\"s1\">electr\u00f3nica fija<\/span> (1997)\n<ul>\n<li><a href=\"https:\/\/open.spotify.com\/track\/6U8NbSZvwOryjA7zkfof0L?si=34667f98f58f4554\"><strong>\u00a1Esc\u00fachala!<\/strong><\/a><br \/>\n<strong>&gt;&gt;&gt;<a href=\"https:\/\/joanmf.com\/es\/a-chillida-merce-capdevila\/\">Clica aqu\u00ed<\/a><\/strong> para saber m\u00e1s de esta obra.<\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<h4><strong>CLAUSSEN, Martina.<\/strong><\/h4>\n<ol>\n<li><strong><em>Trigger II_b<\/em>, <\/strong>para saxof\u00f3n bar\u00edtono y electr\u00f3nica en tiempo real (2023)\n<ul>\n<li><a href=\"https:\/\/soundcloud.com\/joan-mart-frasquier\/trigger_iib-2023-for-baritone-saxophone-and-electronics-martina-claussen\"><strong>\u00a1Esc\u00fachala!<\/strong><\/a><\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<h4><strong>CLYNE, Anna.<\/strong><\/h4>\n<ol>\n<li><strong><em>Choke<\/em>, <\/strong>para saxof\u00f3n bar\u00edtono y electr\u00f3nica fija (2004)<\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">GERASIMENOK, Tatiana.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>4bkl<\/em>,<\/strong> para actriz, saxof\u00f3n bar\u00edtono y electr\u00f3nica en tiempo real (2020)<\/span>\n<ul>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=gYkF8X-_uYU\"><strong>\u00a1Mira el v\u00eddeo!<\/strong><\/a><\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">GHEORGHITA, Daniela.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Hemingsea<\/em>,<\/strong> para saxof\u00f3n bar\u00edtono solo (2026)<\/span><\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">GOTKOVSKY, Ida.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Brillance<\/em>,<\/strong> para saxof\u00f3n alto y piano (1974)<\/span><\/li>\n<li><span class=\"s1\"><strong><em>Quatuor de saxophones<\/em>,<\/strong> para cuarteto de saxofones (SATB) (1983)<\/span><\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">GUBAIDULINA, Sofia.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Duo-Sonata<\/em>,<\/strong> original para dos fagotes (1977)<\/span><\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">LEONOVA, Elena.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Imperative!<\/em>,<\/strong> para saxof\u00f3n bar\u00edtono solo (2015)<\/span><\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">LEPAUVRE, Manon.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Agrion Hast\u00e9<\/em>,<\/strong> para saxof\u00f3n bar\u00edtono y electr\u00f3nica en tiempo real (2019)<\/span><\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">McTEE, Cindy.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Circuits<\/em>,<\/strong> para saxof\u00f3n alto y electr\u00f3nica fija (1992)<\/span><\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">NEUWIRTH, Olga.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Spleen III<\/em>,<\/strong> para saxof\u00f3n bar\u00edtono solo (2001)<\/span>\n<ul>\n<li><a href=\"https:\/\/soundcloud.com\/joan-mart-frasquier\/neuwirth-o-spleen-iii\"><strong>\u00a1Esc\u00fachala!<\/strong><\/a><\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<h4><strong>P\u00c9REZ LAND\u00cdNEZ, \u00c1ngela B.<\/strong><\/h4>\n<ol>\n<li><strong><em>Splat!<\/em>, <\/strong>para saxof\u00f3n bar\u00edtono solo (2025)<\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">PETROVIC, Albena.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Dreamlover<\/em>,<\/strong> para saxof\u00f3n bar\u00edtono solo (2017)<\/span>\n<ul>\n<li><a href=\"https:\/\/soundcloud.com\/joan-mart-frasquier\/dreamlover-2017-for-baritone-saxophone-solo-albena-petrovic-vratchanska\"><strong><span class=\"s1\">\u00a1Esc\u00fachala!<\/span><\/strong><\/a><\/li>\n<li><span class=\"s1\"><strong>&gt;&gt;&gt;<a href=\"https:\/\/joanmf.com\/es\/dreamlover-albena-petrovic\/\">Clica aqu\u00ed<\/a><\/strong> para saber m\u00e1s de esta obra.<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span class=\"s1\"><strong><em>Concerto<\/em>,<\/strong> para saxof\u00f3n bar\u00edtono, piano y orquesta de cuerdas (2018)<\/span>\n<ul>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=1iP5T4m9kV0\"><strong><span class=\"s1\">\u00a1Mira el v\u00eddeo!<\/span><\/strong><\/a><\/li>\n<li><span class=\"s1\"><strong>&gt;&gt;&gt;<a href=\"https:\/\/joanmf.com\/es\/concert-albena-petrovic\/\">Clica aqu\u00ed<\/a><\/strong> para saber m\u00e1s de esta obra.<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span class=\"s1\"><strong><em>Concerto<\/em><\/strong>, versi\u00f3n a d\u00fao para saxof\u00f3n bar\u00edtono y piano (2021)<\/span>\n<ul>\n<li><a href=\"https:\/\/open.spotify.com\/track\/5J2N5aqonV0QPq5Er6XsG4?si=744dab1d478e46fb\"><strong><span class=\"s1\">\u00a1Esc\u00fachalo!<\/span><\/strong><\/a><\/li>\n<\/ul>\n<\/li>\n<li><span class=\"s1\"><strong><em>Love and Jealousy<\/em>,<\/strong> \u00f3pera de c\u00e1mara que incluye un saxof\u00f3n alto (2018)<\/span><\/li>\n<li><span class=\"s1\"><em><strong>Two pieces, <\/strong><\/em>para saxof\u00f3n alto solo (2021, extra\u00eddas de la \u00f3pera <em>Love and Jealousy<\/em>)<\/span>\n<ul>\n<li><a href=\"https:\/\/open.spotify.com\/track\/0rYM1SwcG3SbW716a8BMss?si=162ca48d5f11499e\"><strong>\u00a1Esc\u00fachala!<\/strong><\/a><\/li>\n<\/ul>\n<\/li>\n<li><span class=\"s1\"><strong><em>Po\u00e8mes-Masques<\/em>,<\/strong> para voz de soprano y saxof\u00f3n bar\u00edtono (2021)<\/span>\n<ul>\n<li><a href=\"https:\/\/open.spotify.com\/track\/5D6n6iDOus0rNZwBs7UYAw?si=eca535f55aba4adc\"><strong>\u00a1Esc\u00fachala!<\/strong><\/a><\/li>\n<\/ul>\n<\/li>\n<li><strong><em>Big Blue Duet<\/em>,<\/strong> para saxof\u00f3n bar\u00edtono y piano (2022)<\/li>\n<li><strong><em>Whispers<\/em>,<\/strong> para voz de mezzo-soprano, clarinete, saxof\u00f3n bar\u00edtono y\u00a0<span class=\"s1\">electr\u00f3nica fija<\/span> (2023)<\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">RIBAS, Maria Rosa.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Sonata<\/em>,<\/strong> para saxof\u00f3n alto y piano (1980)<\/span><\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">RUEFF, Jeanine.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Chanson et Passepied<\/em>,<\/strong> para saxof\u00f3n alto y piano (1951)<\/span>\n<ul>\n<li><a href=\"https:\/\/soundcloud.com\/joan-mart-frasquier\/chanson-et-passepied-1951-for-alto-saxophone-and-piano-jeaninne-rueff\"><strong>\u00a1Esc\u00fachala con bar\u00edton0!<\/strong><\/a><\/li>\n<\/ul>\n<\/li>\n<li><em><strong>Trois pour Deux<\/strong><\/em>, para saxof\u00f3n bar\u00edtono y piano (1982)\n<ul>\n<li><strong>&gt;&gt;&gt;<a href=\"https:\/\/joanmf.com\/es\/trois-pour-deux-jeanine-rueff\/\">Clica aqu\u00ed<\/a><\/strong>\u00a0para saber m\u00e1s de esta obra.<\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">TANAKA, Karen.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Night Bird<\/em>,<\/strong> para saxof\u00f3n alto y electr\u00f3nica fija (1996)<\/span><\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">TORRAS, Montserrat.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Textures<\/em>,<\/strong> para saxof\u00f3n alto y viol\u00edn (2004)<\/span><\/li>\n<\/ol>\n<h5>&#8212;<\/h5>\n<p>\u00bfTe ha parecido interesante este post? \u00bfTe gustar\u00eda conocer mejor estas obras o trabajar alguna de ellas? An\u00edmate a descubrir e interpretar m\u00e1s repertorio de mujeres compositoras. Si tienes alguna pregunta, no dudes en <a href=\"https:\/\/joanmf.com\/es\/contacto\/\">contactar conmigo<\/a>.<\/p>\n<p>Joan Mart\u00ed-Frasquier.<br \/>\nBarcelona, 08-03-2021<br \/>\n\u00daltima actualizaci\u00f3n: 17-04-2026<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La imagen que he escogido para este post procede de la cuenta de twitter del Festival de Hartford de Mujeres Compositoras (Hartford, Connecticut, USA) La encontr\u00e9 hace tiempo y me hizo reflexionar sobre las desigualdades de g\u00e9nero que todav\u00eda persisten tanto en el mundo de la m\u00fasica como en la sociedad en general, una realidad &#8230; <a title=\"Mujeres compositoras y saxof\u00f3n: repensando el repertorio\" class=\"read-more\" href=\"https:\/\/joanmf.com\/es\/mujeres-compositoras\/\" aria-label=\"Leer m\u00e1s sobre Mujeres compositoras y saxof\u00f3n: repensando el repertorio\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":5,"featured_media":2664,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"generate_page_header":"","footnotes":""},"categories":[30],"tags":[73,71,70,69,72,54],"class_list":["post-2670","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","tag-compositoras","tag-joan-marti-frasquier-es","tag-mujeres-compositoras","tag-musica-clasica-contemporanea","tag-saxofon","tag-saxofon-baritono"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mujeres Compositoras<\/title>\n<meta name=\"description\" content=\"Una reflexi\u00f3n sobre las desigualdades de g\u00e9nero en la m\u00fasica y una selecci\u00f3n personal de obras para saxof\u00f3n escritas por mujeres compositoras, basada en mi experiencia como int\u00e9rprete.\" \/>\n<meta name=\"robots\" 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