{"id":1491,"date":"2020-10-12T17:28:40","date_gmt":"2020-10-12T15:28:40","guid":{"rendered":"https:\/\/joanmf.com\/?p=1491"},"modified":"2025-06-22T23:46:50","modified_gmt":"2025-06-22T21:46:50","slug":"18-joan-arnau-pamies","status":"publish","type":"post","link":"https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/","title":{"rendered":"18, Joan Arnau P\u00e0mies"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-1484 aligncenter\" src=\"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/18-joan-arnau.jpg\" alt=\"18 joan arnau\" width=\"963\" height=\"542\" srcset=\"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/18-joan-arnau.jpg 1920w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/18-joan-arnau-300x169.jpg 300w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/18-joan-arnau-1024x576.jpg 1024w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/18-joan-arnau-768x432.jpg 768w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/18-joan-arnau-600x338.jpg 600w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/18-joan-arnau-1536x864.jpg 1536w\" sizes=\"(max-width: 963px) 100vw, 963px\" \/><\/p>\n<p style=\"text-align: center;\"><em>Imagen del booklet de<\/em> Made in BCN (LMG, 2154)<\/p>\n<div class=\"av-special-heading av-special-heading-h3 avia-builder-el-5 el_after_av_two_fifth el_before_av_textblock \">\n<blockquote><p>Para m\u00ed, 18 es una muy buena obra de concierto por el ambiente tan particular que crea, casi meditativo, adem\u00e1s de ser una pieza muy interesante a nivel pedag\u00f3gico.<\/p><\/blockquote>\n<h2>El compositor<\/h2>\n<p>La m\u00fasica de JOAN ARNAU P\u00c0MIES (Reus, 1988) se ha podido escuchar en festivales de todas partes como MATA, Huddersfield Contemporary Music Festival, Mixtur, Ostrava New Music Days, XXXVI Foro Internacional de Mu\u0301sica Nueva Manuel Enri\u0301quez y Darmstadt Ferienkurse. P\u00e0mies ha colaborado con Fonema Consort, Ensemble Dal Niente, Ensemble Recherche, Loadbang, los cuartetos Arditti y JACK, BCN 216, entre otros especialistas de m\u00fasica de nueva creaci\u00f3n.<\/p>\n<p>P\u00e0mies es tambi\u00e9n productor discogr\u00e1fico, multi-instrumentista e int\u00e9rprete. En 2022, fund\u00f3 Protomaterial Records, produciendo y publicando los discos de debut de la pianista cl\u00e1sica Oksana Shymanska, el compositor experimental Luis Fernando Amaya, el baterista y artista sonoro Gen\u00eds Bag\u00e9s, y el grupo de Dad\u00e1-pop Espai Dual.<\/p>\n<p><strong><a href=\"https:\/\/pamies.info\/\">Clica aqu\u00ed\u00a0<\/a><\/strong>para saber m\u00e1s del compositor.<\/p>\n<h2 class=\"av-special-heading-tag\">Detalles de la obra<\/h2>\n<\/div>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<p><strong>Electr\u00f3nica fija.<\/strong><br \/>\nEdici\u00f3n: \u00c9ditions Bar&amp;Co (FRA) &#8211; https:\/\/mdpublications.fr\/produit\/18\/<br \/>\nDuraci\u00f3n: 7:20<br \/>\n\u00c1mbito (escrito): REb3 \u2013 DO5<br \/>\nT\u00c9CNICAS: B\u00fasqueda de timbres, din\u00e1micas en <strong><em>ppp<\/em><\/strong>, afinaci\u00f3n, control de la respiraci\u00f3n (respiraci\u00f3n circular opcional).<br \/>\nINTERPRETACI\u00d3N: Cambios de color, integraci\u00f3n del sonido con el de la parte electr\u00f3nica, creatividad. El compositor permite al int\u00e9rprete de a\u00f1adir texturas como el flatter, sonidos de aire, bisbigliandi, vibrato y oscilaciones, etc.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/track\/231ClX33lSkjAlduP7baSU?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2>Significado y estructura de 18<\/h2>\n<\/div>\n<\/section>\n<div class=\"av-special-heading av-special-heading-h3 avia-builder-el-7 el_after_av_textblock el_before_av_textblock \">\n<blockquote><p>Escrib\u00ed 18 en 2009, cuando hac\u00eda tercero de carrera en el New England Conservatory de Boston, Massachusetts. 18 es el n\u00famero de notas escritas en la parte de saxof\u00f3n. Recuerdo que una idea prioritaria que tuve, ten\u00eda que ver con ofrecer un espacio de relativa simplicidad, fuera de la m\u00fasica que hago habitualmente, para que el int\u00e9rprete pudiera utilizar materiales sencillos para improvisar. La obra fue escrita desde una perspectiva pedag\u00f3gica para alumnos que empiezan a adentrarse en el mundo del saxof\u00f3n bar\u00edtono. (Joan Arnau P\u00e0mies, 2018)<\/p><\/blockquote>\n<\/div>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">Estren\u00e9 18 en el Festival Sincr\u00f2nic de nuevas m\u00fasicas, en Lleida en octubre de 2009. Posteriormente, la he tocado m\u00e1s veces y la inclu\u00ed en mi disco <strong>Made in BCN<\/strong> (La M\u00e0 de Guido, 2018). Adem\u00e1s de por su valor musical, me gusta trabajarla con mis alumnos por diversos motivos.<\/div>\n<\/section>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<p>18 es una muy buena obra de introducci\u00f3n a la interpretaci\u00f3n de repertorio con electr\u00f3nica. No te har\u00e1 falta ning\u00fan programario especial. S\u00f3lo necesitar\u00e1s un ordenador (o reproductor de audio), un micr\u00f3fono, una tarjeta de sonido externa y unos altavoces (adem\u00e1s de tu bar\u00edtono, claro). Su pr\u00e1ctica te ir\u00e1 bien para adquirir el h\u00e1bito de amplificar bien tu instrumento (con una buena ecualizaci\u00f3n, reverb, etc.) y encontrar un buen balance con la electr\u00f3nica.<\/p>\n<p>En cuanto al plano instrumental, 18 es una buena obra para trabajar aspectos t\u00e9cnicos b\u00e1sicos como la calidad del sonido, la afinaci\u00f3n, la respiraci\u00f3n y la embocadura. La obra se tiene que tocar estrictamente en <strong>PP<\/strong> y esto implicar\u00e1 trabajar bien la columna de aire, para una buena estabilidad del sonido y de la embocadura, y la afinaci\u00f3n, especialmente de las notas del registro medio. Tambi\u00e9n te puede servir para practicar la respiraci\u00f3n circular, ya que las duraciones de las notas son largas.<\/p>\n<p>No obstante, lo m\u00e1s importante para mi es el trabajo de la creatividad. El compositor permite modificar el color de los sonidos con flatterzunge, bisbigliandi, oscilaciones y vibratos, sonidos e\u00f3licos, etc.<\/p>\n<p><strong>&#8212;<\/strong><\/p>\n<p>\u00bfTe gustar\u00eda saber m\u00e1s cosas de 18 de Joan Arnau P\u00e0mies? \u00bfTe gustar\u00eda trabajarla conmigo? \u00a1No dudes a <a href=\"https:\/\/joanmf.com\/es\/contacto\/\">contactarme<\/a>!<\/p>\n<p>Joan Mart\u00ed-Frasquier<br \/>\nBarcelona, marzo 2018<br \/>\nActualizado: abril 2024<\/p>\n<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>Imagen del booklet de Made in BCN (LMG, 2154) Para m\u00ed, 18 es una muy buena obra de concierto por el ambiente tan particular que crea, casi meditativo, adem\u00e1s de ser una pieza muy interesante a nivel pedag\u00f3gico. El compositor La m\u00fasica de JOAN ARNAU P\u00c0MIES (Reus, 1988) se ha podido escuchar en festivales de &#8230; <a title=\"18, Joan Arnau P\u00e0mies\" class=\"read-more\" href=\"https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/\" aria-label=\"Leer m\u00e1s sobre 18, Joan Arnau P\u00e0mies\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":4,"featured_media":1486,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"generate_page_header":"","footnotes":""},"categories":[32],"tags":[484,485,71,479,350,477],"class_list":["post-1491","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire-es","tag-18-es","tag-joan-arnau-pamies-es","tag-joan-marti-frasquier-es","tag-repertorio-para-grado-profesional","tag-repertorio-para-saxofon-baritono","tag-saxofon-baritono-y-electronica"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>18, Joan Arnau P\u00e0mies<\/title>\n<meta name=\"description\" content=\"18 es una muy buena obra de concierto por el ambiente que crea, casi meditativo, adem\u00e1s de ser una pieza muy interesante a nivel pedag\u00f3gico.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"18, Joan Arnau P\u00e0mies\" \/>\n<meta property=\"og:description\" content=\"18 es una muy buena obra de concierto por el ambiente que crea, casi meditativo, adem\u00e1s de ser una pieza muy interesante a nivel pedag\u00f3gico.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/\" \/>\n<meta property=\"og:site_name\" content=\"My Site\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/joan.barisax\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-10-12T15:28:40+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-22T21:46:50+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/18-joan-arnau.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Pedro Tellez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@JoanMFbarisax\" \/>\n<meta name=\"twitter:site\" content=\"@JoanMFbarisax\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Pedro Tellez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/es\\\/18-joan-arnau-pamies\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/es\\\/18-joan-arnau-pamies\\\/\"},\"author\":{\"name\":\"Pedro Tellez\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/#\\\/schema\\\/person\\\/90a4ad64e7b4a225ea3ea1a15d7129a3\"},\"headline\":\"18, Joan Arnau P\u00e0mies\",\"datePublished\":\"2020-10-12T15:28:40+00:00\",\"dateModified\":\"2025-06-22T21:46:50+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/es\\\/18-joan-arnau-pamies\\\/\"},\"wordCount\":646,\"publisher\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/es\\\/18-joan-arnau-pamies\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/joanmf.com\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/18-joan-arnau.jpg\",\"keywords\":[\"18\",\"Joan Arnau P\u00e0mies\",\"Joan Mart\u00ed-Frasquier\",\"Repertorio para Grado Profesional\",\"Repertorio para Saxof\u00f3n Bar\u00edtono\",\"Saxof\u00f3n Bar\u00edtono y Electr\u00f3nica\"],\"articleSection\":[\"Repertoire\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/es\\\/18-joan-arnau-pamies\\\/\",\"url\":\"https:\\\/\\\/joanmf.com\\\/es\\\/18-joan-arnau-pamies\\\/\",\"name\":\"18, Joan Arnau P\u00e0mies\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/es\\\/18-joan-arnau-pamies\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/es\\\/18-joan-arnau-pamies\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/joanmf.com\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/18-joan-arnau.jpg\",\"datePublished\":\"2020-10-12T15:28:40+00:00\",\"dateModified\":\"2025-06-22T21:46:50+00:00\",\"description\":\"18 es una muy buena obra de concierto por el ambiente que crea, casi meditativo, adem\u00e1s de ser una pieza muy interesante a nivel pedag\u00f3gico.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/es\\\/18-joan-arnau-pamies\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/joanmf.com\\\/es\\\/18-joan-arnau-pamies\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/es\\\/18-joan-arnau-pamies\\\/#primaryimage\",\"url\":\"https:\\\/\\\/joanmf.com\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/18-joan-arnau.jpg\",\"contentUrl\":\"https:\\\/\\\/joanmf.com\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/18-joan-arnau.jpg\",\"width\":1920,\"height\":1080,\"caption\":\"18 joan arnau\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/es\\\/18-joan-arnau-pamies\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/joanmf.com\\\/ca\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"18, Joan Arnau P\u00e0mies\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/#website\",\"url\":\"https:\\\/\\\/joanmf.com\\\/\",\"name\":\"My Site\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/joanmf.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/#organization\",\"name\":\"Joan Marti-Frasquier\",\"url\":\"https:\\\/\\\/joanmf.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/joanmf.com\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/JoanMF_DanielMiguel_41_Web.jpg\",\"contentUrl\":\"https:\\\/\\\/joanmf.com\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/JoanMF_DanielMiguel_41_Web.jpg\",\"width\":1200,\"height\":800,\"caption\":\"Joan Marti-Frasquier\"},\"image\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/joan.barisax\\\/\",\"https:\\\/\\\/x.com\\\/JoanMFbarisax\",\"https:\\\/\\\/www.instagram.com\\\/joanmf.barisax\\\/\",\"https:\\\/\\\/www.youtube.com\\\/channel\\\/UCk_AC9MMl5SQaFvFUaAKV_w\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/#\\\/schema\\\/person\\\/90a4ad64e7b4a225ea3ea1a15d7129a3\",\"name\":\"Pedro Tellez\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2367ec8c19036364e0b7960d9dcddd513da347c3dd1a48e3ebcda0623f8430b9?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2367ec8c19036364e0b7960d9dcddd513da347c3dd1a48e3ebcda0623f8430b9?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2367ec8c19036364e0b7960d9dcddd513da347c3dd1a48e3ebcda0623f8430b9?s=96&d=mm&r=g\",\"caption\":\"Pedro Tellez\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"18, Joan Arnau P\u00e0mies","description":"18 es una muy buena obra de concierto por el ambiente que crea, casi meditativo, adem\u00e1s de ser una pieza muy interesante a nivel pedag\u00f3gico.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/","og_locale":"es_ES","og_type":"article","og_title":"18, Joan Arnau P\u00e0mies","og_description":"18 es una muy buena obra de concierto por el ambiente que crea, casi meditativo, adem\u00e1s de ser una pieza muy interesante a nivel pedag\u00f3gico.","og_url":"https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/","og_site_name":"My Site","article_publisher":"https:\/\/www.facebook.com\/joan.barisax\/","article_published_time":"2020-10-12T15:28:40+00:00","article_modified_time":"2025-06-22T21:46:50+00:00","og_image":[{"width":1920,"height":1080,"url":"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/18-joan-arnau.jpg","type":"image\/jpeg"}],"author":"Pedro Tellez","twitter_card":"summary_large_image","twitter_creator":"@JoanMFbarisax","twitter_site":"@JoanMFbarisax","twitter_misc":{"Escrito por":"Pedro Tellez","Tiempo de lectura":"3 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/#article","isPartOf":{"@id":"https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/"},"author":{"name":"Pedro Tellez","@id":"https:\/\/joanmf.com\/#\/schema\/person\/90a4ad64e7b4a225ea3ea1a15d7129a3"},"headline":"18, Joan Arnau P\u00e0mies","datePublished":"2020-10-12T15:28:40+00:00","dateModified":"2025-06-22T21:46:50+00:00","mainEntityOfPage":{"@id":"https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/"},"wordCount":646,"publisher":{"@id":"https:\/\/joanmf.com\/#organization"},"image":{"@id":"https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/#primaryimage"},"thumbnailUrl":"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/18-joan-arnau.jpg","keywords":["18","Joan Arnau P\u00e0mies","Joan Mart\u00ed-Frasquier","Repertorio para Grado Profesional","Repertorio para Saxof\u00f3n Bar\u00edtono","Saxof\u00f3n Bar\u00edtono y Electr\u00f3nica"],"articleSection":["Repertoire"],"inLanguage":"es"},{"@type":"WebPage","@id":"https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/","url":"https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/","name":"18, Joan Arnau P\u00e0mies","isPartOf":{"@id":"https:\/\/joanmf.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/#primaryimage"},"image":{"@id":"https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/#primaryimage"},"thumbnailUrl":"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/18-joan-arnau.jpg","datePublished":"2020-10-12T15:28:40+00:00","dateModified":"2025-06-22T21:46:50+00:00","description":"18 es una muy buena obra de concierto por el ambiente que crea, casi meditativo, adem\u00e1s de ser una pieza muy interesante a nivel pedag\u00f3gico.","breadcrumb":{"@id":"https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/#primaryimage","url":"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/18-joan-arnau.jpg","contentUrl":"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/18-joan-arnau.jpg","width":1920,"height":1080,"caption":"18 joan arnau"},{"@type":"BreadcrumbList","@id":"https:\/\/joanmf.com\/es\/18-joan-arnau-pamies\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/joanmf.com\/ca\/"},{"@type":"ListItem","position":2,"name":"18, Joan Arnau P\u00e0mies"}]},{"@type":"WebSite","@id":"https:\/\/joanmf.com\/#website","url":"https:\/\/joanmf.com\/","name":"My Site","description":"","publisher":{"@id":"https:\/\/joanmf.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/joanmf.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/joanmf.com\/#organization","name":"Joan Marti-Frasquier","url":"https:\/\/joanmf.com\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/joanmf.com\/#\/schema\/logo\/image\/","url":"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/JoanMF_DanielMiguel_41_Web.jpg","contentUrl":"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/JoanMF_DanielMiguel_41_Web.jpg","width":1200,"height":800,"caption":"Joan Marti-Frasquier"},"image":{"@id":"https:\/\/joanmf.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/joan.barisax\/","https:\/\/x.com\/JoanMFbarisax","https:\/\/www.instagram.com\/joanmf.barisax\/","https:\/\/www.youtube.com\/channel\/UCk_AC9MMl5SQaFvFUaAKV_w"]},{"@type":"Person","@id":"https:\/\/joanmf.com\/#\/schema\/person\/90a4ad64e7b4a225ea3ea1a15d7129a3","name":"Pedro Tellez","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/2367ec8c19036364e0b7960d9dcddd513da347c3dd1a48e3ebcda0623f8430b9?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2367ec8c19036364e0b7960d9dcddd513da347c3dd1a48e3ebcda0623f8430b9?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2367ec8c19036364e0b7960d9dcddd513da347c3dd1a48e3ebcda0623f8430b9?s=96&d=mm&r=g","caption":"Pedro Tellez"}}]}},"_links":{"self":[{"href":"https:\/\/joanmf.com\/es\/wp-json\/wp\/v2\/posts\/1491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/joanmf.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/joanmf.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/joanmf.com\/es\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/joanmf.com\/es\/wp-json\/wp\/v2\/comments?post=1491"}],"version-history":[{"count":7,"href":"https:\/\/joanmf.com\/es\/wp-json\/wp\/v2\/posts\/1491\/revisions"}],"predecessor-version":[{"id":6925,"href":"https:\/\/joanmf.com\/es\/wp-json\/wp\/v2\/posts\/1491\/revisions\/6925"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/joanmf.com\/es\/wp-json\/wp\/v2\/media\/1486"}],"wp:attachment":[{"href":"https:\/\/joanmf.com\/es\/wp-json\/wp\/v2\/media?parent=1491"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/joanmf.com\/es\/wp-json\/wp\/v2\/categories?post=1491"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/joanmf.com\/es\/wp-json\/wp\/v2\/tags?post=1491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}