{"id":1479,"date":"2020-10-10T17:19:27","date_gmt":"2020-10-10T15:19:27","guid":{"rendered":"https:\/\/joanmf.com\/?p=1479"},"modified":"2025-06-23T00:26:19","modified_gmt":"2025-06-22T22:26:19","slug":"sound-portraits-iv-y-ivb-enric-riu","status":"publish","type":"post","link":"https:\/\/joanmf.com\/es\/sound-portraits-iv-y-ivb-enric-riu\/","title":{"rendered":"SOUND PORTRAITS IV y IVb, Enric Riu"},"content":{"rendered":"<p>,<img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-1472 aligncenter\" src=\"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/SOUND_PORTRAIT.jpg\" alt=\"SOUND PORTRAITS IV &amp; IVb, Enric Riu\" width=\"922\" height=\"519\" srcset=\"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/SOUND_PORTRAIT.jpg 1920w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/SOUND_PORTRAIT-300x169.jpg 300w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/SOUND_PORTRAIT-1024x576.jpg 1024w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/SOUND_PORTRAIT-768x432.jpg 768w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/SOUND_PORTRAIT-600x338.jpg 600w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/SOUND_PORTRAIT-1536x864.jpg 1536w\" sizes=\"(max-width: 922px) 100vw, 922px\" \/><\/p>\n<p style=\"text-align: center;\"><em>Detalle del disco MADE IN BCN (La M\u00e0 de Guido, LMG-2154)<\/em><\/p>\n<div class=\"av-special-heading av-special-heading-h3 avia-builder-el-4 el_after_av_one_fifth el_before_av_textblock \">\n<blockquote><p>Las dos versiones forman parte de la serie de piezas para instrumento solo en forma de retratos sonoros (de aqu\u00ed el t\u00edtulo) con las que ENRIC RIU desarrolla sus investigaciones a mediados de los a\u00f1os 2010. El objetivo principal de cada una de estas piezas es encontrar las conexiones que rompan las barreras entre compositor, int\u00e9rprete y p\u00fablico. Su fin \u00faltimo es transmitir el contenido (o mensaje) de una manera intelectualmente accesible sin tener por ello que renunciar a la calidad. Justo aqu\u00ed reside, seg\u00fan el compositor, el gran reto del int\u00e9rprete.<\/p><\/blockquote>\n<\/div>\n<div class=\"av-special-heading av-special-heading-h3 avia-builder-el-6 el_after_av_textblock el_before_av_textblock \">\n<h2 class=\"av-special-heading-tag\">El Compositor<\/h2>\n<\/div>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<p>Como compositor, ENRIC RIU (Barcelona, 1968) es un partidario ferviente de los proyectos multidisciplinares. \u00c9l se centra en las posibilidades de mejorar la comunicaci\u00f3n entre compositor y p\u00fablico a trav\u00e9s de medios como la co-creaci\u00f3n con los int\u00e9rpretes. Para investigar en este campo, Riu trabaja con ensembles de renombre como Morphosis Ensemble, Fonema Consort, Proyecto H\u00e9lade, Ensemble CONCEPT\/21, e int\u00e9rpretes destacados como la contrabajista Kathryn Schulmeister, el saxofonista Joan Mart\u00ed-Frasquier, la marimba Adilia Yip, el flautista Marc Horne, la clarinetista Emily Beisel o el pianista Tomeu Moll.<\/p>\n<p>Enric Riu combina su actividad como compositor con la docencia, trabajando como profesor de An\u00e1lisis Musical en centros como el Conservatori del Liceu, Conservatori Professional de M\u00fasica de Vilaseca o el Institut Andorr\u00e0 de M\u00fasica i Dansa de Andorra la Vella, entre otros.<\/p>\n<p><strong><a href=\"https:\/\/uab.academia.edu\/EnricRiu\">Clica aqu\u00ed<\/a>\u00a0<\/strong>para saber m\u00e1s del compositor.<\/p>\n<h2>Detalles de la obra<\/h2>\n<p><strong>La versi\u00f3n IVb debe tocarse con electr\u00f3nica en vivo<\/strong><br \/>\nEdici\u00f3n: Contacta con el compositor (<a href=\"mailto:enricriu@yahoo.es\">enricriu@yahoo.es<\/a>)<br \/>\nDuraci\u00f3n: entre 5:02 y 5:24<br \/>\n\u00c1mbito (escrito): lo m\u00e1s grave posible, lo m\u00e1s agudo posible (no especificado)<br \/>\nT\u00c9CNICAS: Secuenciaci\u00f3n del tempo en segundos. Precisi\u00f3n del picat, slaps, diversidad de sonidos de aire, micro-intervalos, growl, uso de la voz, tongue ram, sonidos de llaves, multif\u00f3nicos, din\u00e1micas extremas.<br \/>\nINTERPRETACI\u00d3N: Improvisar siguiendo las indicaciones de la partitura. Empatizar (e interactuar) con el p\u00fablico.<\/p>\n<h4>Escucha la versi\u00f3n a solo, SOUND PORTRAIT IVa:<\/h4>\n<p><iframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/track\/0kJorUu3eqDnhsxGkHhxYU?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2>Significado y estructura de los Sound Portraits IV &amp; IVb<\/h2>\n<blockquote><p>Sound Portrait IV y IVb (versi\u00f3n con electr\u00f3nica improvisada) buscan, de la misma manera que la mayor\u00eda de mis obras escritas a partir de 2014, reforzar la empat\u00eda de int\u00e9rpretes y oyentes con el compositor sin forzar a este \u00faltimo a rebajar la calidad de sus contenidos. Aquello que cada uno percibe de una obra sigue siendo algo extraordinariamente subjetivo; ni siquiera la m\u00fasica descriptiva ad hoc consigui\u00f3 unificar sensaciones en su momento. No obstante, rechazar la descripci\u00f3n no significa que la comunicatividad no pueda mejorar: es mucho m\u00e1s que posible, pero se tienen que cambiar posicionamientos y contar con un rol poli\u00e9drico de los int\u00e9rpretes, as\u00ed como desarrollar la investigaci\u00f3n sobre otros enfoques que tienen mucho m\u00e1s en cuenta la aproximaci\u00f3n entre las partes. (Enric Riu, 2018)<\/p><\/blockquote>\n<p>La obra no tiene ninguna notaci\u00f3n musical convencional (ni notas, ni pentagramas etc.) sino 3 grandes bloques cada uno con diferentes l\u00edneas. El primer bloque, de texturas, tiene tres l\u00edneas paralelas (1, 2 y 3) con distintas indicaciones de efectos que afecten a la morfolog\u00eda del sonido. En el segundo bloque, de registros, tiene dos (I y II) en las que se orienta en la duraci\u00f3n de las notas y silencios (A, B, C) en los diferentes registros del instrumento (1\u00ba -grave-, 2\u00ba -medio-, 3\u00ba -agudo-). El tercer bloque, de din\u00e1micas, tiene tres l\u00edneas paralelas en las que se indica el rango din\u00e1mico a interpretar.<\/p>\n<p>Si quieres trabajar SOUND PORTRAIT tendr\u00e1s que escoger aleatoriamente una l\u00ednea de cada uno de estos tres bloques y tocarlas al mismo tiempo, hasta seis veces, sin repetir nunca la misma combinaci\u00f3n de l\u00edneas. La duraci\u00f3n de cada l\u00ednea es de 50 segundos y se pueden separar con pausas no m\u00e1s largas de 6 segundos, excepto entre la quinta y sexta vez, que se tienen que tocar seguidas.<\/p>\n<h4>Escucha ahora la versi\u00f3n a d\u00fao con electr\u00f3nica, SOUND PORTRAIT IVb:<\/h4>\n<p><iframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/track\/4lD4lGAniLcQkGI9nQvyme?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>\u00bfHas encontrado diferencies entre ambas versiones? \u00bfQu\u00e9 versi\u00f3n te ha gustado m\u00e1s? Yo, cuanto m\u00e1s detenidamente he trabajado esta obra, m\u00e1s recursos creativos he ido encontrando. Si te gusta la m\u00fasica improvisada, pienso que te encantar\u00e1 tocarla.<\/p>\n<p>Estren\u00e9 la versi\u00f3n a solo en el 17\u00ba Congreso Mundial del Saxof\u00f3n \u201cSaxOpen\u201d, en Estrasburgo (Francia) en julio de 2015. Posteriormente, proposu a Enric Riu otra versi\u00f3n con electr\u00f3nica para Morphosis Duo, con Joan Bag\u00e9s i Rub\u00ed, un excelente int\u00e9rprete y compositor. A Enric le gust\u00f3 la idea y sugiri\u00f3 a Joan que improvisara libremente con la electr\u00f3nica. El a\u00f1adido de la parte electr\u00f3nica da una percepci\u00f3n muy diferente a la obra. Su estreno tuvo lugar en el ciclo de conciertos \u201cM\u00fasica d\u2019Ara\u201d en Barcelona en octubre de 2016. M\u00e1s tarde, en 2018, grab\u00e9 las dos versiones en mi disco <strong><a href=\"https:\/\/open.spotify.com\/album\/2xIxjmH6fuw3lWz1xPKbqP?si=T43HawDlRymId1W56vGH8A\">MADE IN BARCELONA<\/a><\/strong> (La M\u00e0 de Guido, LMG-2154).<\/p>\n<p><strong>&#8212;<\/strong><\/p>\n<p>\u00bfTe gustar\u00eda saber m\u00e1s cosas de los SOUND PORTRAITS IV &amp; IVb de Enric Riu? \u00bfTe gustar\u00eda trabajarlos conmigo? \u00a1No dudes a <a href=\"https:\/\/joanmf.com\/es\/contacto\/\">contactarme<\/a>!<\/p>\n<p>Joan Mart\u00ed-Frasquier<br \/>\nBarcelona, marzo 2018<br \/>\nActualizado: abril 2024<\/p>\n<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>, Detalle del disco MADE IN BCN (La M\u00e0 de Guido, LMG-2154) Las dos versiones forman parte de la serie de piezas para instrumento solo en forma de retratos sonoros (de aqu\u00ed el t\u00edtulo) con las que ENRIC RIU desarrolla sus investigaciones a mediados de los a\u00f1os 2010. El objetivo principal de cada una de &#8230; <a title=\"SOUND PORTRAITS IV y IVb, Enric Riu\" class=\"read-more\" href=\"https:\/\/joanmf.com\/es\/sound-portraits-iv-y-ivb-enric-riu\/\" aria-label=\"Leer m\u00e1s sobre SOUND PORTRAITS IV y IVb, Enric Riu\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":4,"featured_media":1474,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"generate_page_header":"","footnotes":""},"categories":[32],"tags":[327,506,71,69,371,54,477,509],"class_list":["post-1479","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire-es","tag-enric-riu-es","tag-improvisacion","tag-joan-marti-frasquier-es","tag-musica-clasica-contemporanea","tag-musica-contemporanea-para-saxofon-baritono","tag-saxofon-baritono","tag-saxofon-baritono-y-electronica","tag-sound-portrait-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - 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