{"id":1467,"date":"2020-10-15T17:06:11","date_gmt":"2020-10-15T15:06:11","guid":{"rendered":"https:\/\/joanmf.com\/?p=1467"},"modified":"2025-06-21T00:40:36","modified_gmt":"2025-06-20T22:40:36","slug":"a-chillida-merce-capdevila","status":"publish","type":"post","link":"https:\/\/joanmf.com\/es\/a-chillida-merce-capdevila\/","title":{"rendered":"A CHILLIDA, Merc\u00e8 Capdevila"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-1462 aligncenter\" src=\"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/A-Chillida.jpg\" alt=\"A Chillida\" width=\"957\" height=\"648\" srcset=\"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/A-Chillida.jpg 957w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/A-Chillida-300x203.jpg 300w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/A-Chillida-768x520.jpg 768w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/A-Chillida-600x406.jpg 600w\" sizes=\"(max-width: 957px) 100vw, 957px\" \/><\/p>\n<div class=\"av-special-heading av-special-heading-h3 avia-builder-el-4 el_after_av_one_fifth el_before_av_textblock \">\n<p style=\"text-align: center;\"><em>Foto extra\u00edda de Turismo Donostia<\/em><\/p>\n<blockquote><p>Cada una de las cinco partes o forjas de A CHILLIDA es un despliegue t\u00e9cnico del instrumento y de t\u00edmbricas en la electr\u00f3nica, simplemente espectacular.<\/p><\/blockquote>\n<div class=\"av-special-heading av-special-heading-h3 avia-builder-el-6 el_after_av_textblock el_before_av_textblock \">\n<h2 class=\"av-special-heading-tag\">La compositora<\/h2>\n<\/div>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<p>MERC\u00c8 CAPDEVILA (Barcelona, 1946) estudi\u00f3 en el Conservatori Municipal de M\u00fasica de Barcelona y, al mismo tiempo, Artes Pl\u00e1sticas en la Escola Municipal \u201cMassana\u201d (Barcelona) y en la Kunsthand Werk Schule de Pforzheim (Alemania) con el profesor Edward Mosny.<\/p>\n<p>Capdevila es miembro fundadora de la Asociaci\u00f3n de M\u00fasica Electroac\u00fastica de Espa\u00f1a. Su m\u00fasica ha sido interpretada en Europa, Canad\u00e1 y los Estados Unidos. En 1993-94 fue compositora invitada en la Aaron Copland School of Music de la Universidad de New York en el Queens College.<\/p>\n<p><a href=\"http:\/\/www.accompositors.com\/compositores-curriculum.php?nIdioma=es&amp;idComp=28\"><strong>Clica aqu\u00ed<\/strong><\/a> para saber m\u00e1s.<\/p>\n<\/div>\n<\/section>\n<h2 class=\"av-special-heading-tag\">Detalles de la obra<\/h2>\n<\/div>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<p><strong>Electr\u00f3nica fija y saxof\u00f3n bar\u00edtono modulado en tiempo real con un SPX90 II.<\/strong><br \/>\nExiste tambi\u00e9n una versi\u00f3n con electr\u00f3nica en vivo (MAX) realizada por el compositor y artista sonoro <a href=\"https:\/\/www.joanbages.com\/\"><strong>Joan Bag\u00e9s i Rub\u00ed<\/strong><\/a>.<br \/>\nEdici\u00f3n: Contacta con la compositora (<a href=\"mailto:mercecapdevilagaya@gmail.com\">mercecapdevilagaya@gmail.com<\/a>)<br \/>\nDuraci\u00f3n: 16:10.<br \/>\n\u00c1mbito (escrito): LA2 \u2013 FA6 (o lo m\u00e1s agudo posible)<br \/>\nT\u00c9CNICAS: Diversidad de articulaciones, slaps, glissandi, trinos y tr\u00e9molos, flatter, registro sobreagudo extremo, precisi\u00f3n de picados, sonidos de llaves, sonidos de aire, arm\u00f3nicos naturales, uso de la voz, sonidos trompeta.<br \/>\nINTERPRETACI\u00d3N: Tocar con mucha energ\u00eda. Actitud esc\u00e9nica.<\/p>\n<p><iframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/track\/6U8NbSZvwOryjA7zkfof0L?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n<\/section>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<div class=\"av-special-heading av-special-heading-h3 avia-builder-el-13 el_after_av_hr el_before_av_textblock \">\n<h2 class=\"av-special-heading-tag\">Significado y estructura de A Chillida<\/h2>\n<p>El saxofonista Josep Maria Aparicio, uno de los pocos m\u00fasicos que promovi\u00f3 y difundi\u00f3 la m\u00fasica contempor\u00e1nea en Catalunya en los a\u00f1os 80 y 90 del siglo pasado, estren\u00f3 A CHILLIDA en 1997 y me dio a conocer la obra unos a\u00f1os despu\u00e9s.<\/p>\n<p>M\u00e1s tarde, el compositor y artista sonoro Joan Bag\u00e9s y yo trabajamos la obra con Merc\u00e8 Capdevila, adem\u00e1s de hacer la nueva versi\u00f3n de esta obra para saxof\u00f3n bar\u00edtono y electr\u00f3nica en vivo que grab\u00e9 en mi disco <a href=\"https:\/\/open.spotify.com\/album\/2xIxjmH6fuw3lWz1xPKbqP?si=piX4BiedQgalIPqY8jGvSg\"><strong>MADE IN BCN<\/strong><\/a> (LMG-2154) en 2018.<\/p>\n<p>Merc\u00e8 Capdevila me coment\u00f3 sobre A CHILLIDA:<\/p>\n<blockquote><p><em>La contemplaci\u00f3n de las obras del escultor Eduardo Chillida en su conjunto me hicieron pensar que todas sus obras se pueden mirar, observar y\/o sentir de maneras diferentes seg\u00fan el lugar desde donde se miran y c\u00f3mo los espacios y las l\u00edneas tambi\u00e9n pueden cambian de significado. Imagin\u00e9 c\u00f3mo crear una m\u00fasica donde los diferentes espacios, l\u00edneas o bloques cambiaran de significado e intent\u00e9 representar el vac\u00edo dentro de la forma, la esencia del material y una cierta sensaci\u00f3n de monumentalidad.<\/em><\/p>\n<p><em>La partitura de A CHILLIDA est\u00e1 constituida por 5 bloques o movimientos que representan 5 forjas diferentes dentro de una misma obra. Forjar es el procedimiento de conformaci\u00f3n de metales que consiste en variar la forma de una pieza por compresi\u00f3n, en caliente, entre dos superficies duras, una fija y otra m\u00f3vil. La forja modifica la estructura del metal deform\u00e1ndola y fraccion\u00e1ndola en cristales. <\/em><\/p>\n<p><em>Se podr\u00eda decir que no existen ritmos si no s\u00f3lo pulsaci\u00f3n. Entre las diferentes pulsaciones o acordes hay unos vac\u00edos o espacios en los que se aprecian sus formas interiores y se van creando diversos vol\u00famenes, temblores y masas. Estos silencios, igual que los sonidos, tienen m\u00e1s espacio que materia y nos hacen cambiar toda percepci\u00f3n.<\/em><\/p>\n<p><em>Escog\u00ed el saxof\u00f3n bar\u00edtono por sus cualidades t\u00edmbricas, por su grosor y por su ductilidad. La modulaci\u00f3n de su sonido en vivo (para dar as\u00ed nuevas respuestas tanto al instrumentista como al p\u00fablico), simult\u00e1neamente con la electr\u00f3nica fija, me permitir\u00eda un material directo, como en bruto, FORJANDO por compresi\u00f3n acordes cerrados y complejos, donde ya no fuera posible percibir ni sus alturas o frecuencias, ni las caracter\u00edsticas de su movimiento o de su estatismo. <\/em><\/p><\/blockquote>\n<p><strong>&#8212;<\/strong><\/p>\n<p>\u00bfTe gustar\u00eda saber m\u00e1s cosas de A CHILLIDA de Merc\u00e8 Capdevila? \u00bfTe gustar\u00eda trabajarla? \u00a1No dudes a <a href=\"https:\/\/joanmf.com\/es\/contacto\/\">contactarme<\/a>!<\/p>\n<p>Joan Mart\u00ed-Frasquier<br \/>\nBarcelona, marzo 2018<br \/>\nActualizado: septiembre 2023<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>Foto extra\u00edda de Turismo Donostia Cada una de las cinco partes o forjas de A CHILLIDA es un despliegue t\u00e9cnico del instrumento y de t\u00edmbricas en la electr\u00f3nica, simplemente espectacular. La compositora MERC\u00c8 CAPDEVILA (Barcelona, 1946) estudi\u00f3 en el Conservatori Municipal de M\u00fasica de Barcelona y, al mismo tiempo, Artes Pl\u00e1sticas en la Escola Municipal &#8230; <a title=\"A CHILLIDA, Merc\u00e8 Capdevila\" class=\"read-more\" href=\"https:\/\/joanmf.com\/es\/a-chillida-merce-capdevila\/\" aria-label=\"Leer m\u00e1s sobre A CHILLIDA, Merc\u00e8 Capdevila\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":4,"featured_media":1462,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"generate_page_header":"","footnotes":""},"categories":[32],"tags":[362,73,204,205,208,226,371,54,477],"class_list":["post-1467","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire-es","tag-a-chillida-es","tag-compositoras","tag-compositores-catalanes","tag-electronica-es","tag-merce-capdevila-es","tag-musica-contemporanea","tag-musica-contemporanea-para-saxofon-baritono","tag-saxofon-baritono","tag-saxofon-baritono-y-electronica"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A CHILLIDA, Merc\u00e8 Capdevila<\/title>\n<meta name=\"description\" content=\"Cada una de las cinco partes o forjas de A CHILLIDA es un despliegue t\u00e9cnico del instrumento y de 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