{"id":1403,"date":"2020-10-14T15:45:26","date_gmt":"2020-10-14T13:45:26","guid":{"rendered":"https:\/\/joanmf.com\/?p=1403"},"modified":"2025-06-22T23:17:04","modified_gmt":"2025-06-22T21:17:04","slug":"hendia-sixto-herrero","status":"publish","type":"post","link":"https:\/\/joanmf.com\/es\/hendia-sixto-herrero\/","title":{"rendered":"HENDIA, Sixto Herrero"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-1400 aligncenter\" src=\"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/HENDIA-Sixto-Herrero.jpg\" alt=\"HENDIA, Sixto Herrero\" width=\"495\" height=\"400\" srcset=\"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/HENDIA-Sixto-Herrero.jpg 495w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/HENDIA-Sixto-Herrero-300x242.jpg 300w\" sizes=\"(max-width: 495px) 100vw, 495px\" \/><\/p>\n<p style=\"text-align: center;\"><em>Portada de la edici\u00f3n impresa<\/em><\/p>\n<blockquote><p>Para m\u00ed, HENDIA es una obra imprescindible del repertorio original para saxof\u00f3n bar\u00edtono solo. Es corta e intensa, como un buen caf\u00e9. \u00a1An\u00edmate a trabajarla!<\/p><\/blockquote>\n<div class=\"av-special-heading av-special-heading-h3 avia-builder-el-5 el_after_av_one_half el_before_av_textblock \">\n<h2 class=\"av-special-heading-tag\">El compositor<\/h2>\n<p>SIXTO MANUEL HERRERO RODES (Rafal, Alicante, 1965) es un saxofonista, compositor, director y catedr\u00e1tico de saxof\u00f3n en el Conservatorio Superior de M\u00fasica \u201c\u00d2scar Espl\u00e0\u201d de Alicante. Es Doctor por la Universidad Polit\u00e9cnica de Val\u00e8ncia. Herrero ha sido galardonado en diversos concursos internacionales de composici\u00f3n. Sus obras se interpreten en diversos festivales de m\u00fasica de todo el mundo.<\/p>\n<p><strong><a href=\"https:\/\/www.musicafestera.com\/compositors\/sixto-manuel-herrero-rodes\">Clica aqu\u00ed<\/a>\u00a0<\/strong>para saber m\u00e1s del compositor.<\/p>\n<\/div>\n<div class=\"av-special-heading av-special-heading-h3 avia-builder-el-7 el_after_av_textblock el_before_av_textblock \">\n<h2 class=\"av-special-heading-tag\">Detalles de la obra<\/h2>\n<\/div>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<p>Edici\u00f3n: Rivera Editores, Valencia (ESP)<br \/>\nDuraci\u00f3n: ca. 5:00<br \/>\n\u00c1mbito (escrito): SIb2 \u2013 DO#6<br \/>\nT\u00c9CNICAS: Amplia paleta de din\u00e1micas y timbres. Precisi\u00f3n del picado. Diversidad de articulaciones. Vibratos y oscilaciones. Algunos pasajes r\u00e1pidos. Registro sobreagudo. Multif\u00f3nicos. Sonidos de llaves. Uso de la voz.<br \/>\nINTERPRETACI\u00d3N: Tocar con intensidad y cierto dramatismo. El compositor sugiere cantar una saeta o recitar un poema al final de la obra.<\/p>\n<\/div>\n<\/section>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<div class=\"avia-iframe-wrap\"><iframe src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&amp;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F126090336&amp;show_artwork=true&amp;maxwidth=1500&amp;maxheight=1000&amp;dnt=1\" width=\"1500\" height=\"400\" frameborder=\"no\" scrolling=\"no\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/section>\n<div class=\"av-special-heading av-special-heading-h3 avia-builder-el-10 el_after_av_textblock el_before_av_textblock \">\n<h2>Significado y estructura de Hendia<\/h2>\n<\/div>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<blockquote><p>Romper, resquebrajar, buscar constantemente\u00a0el\u00a0<em>quej\u00edo<\/em>, el lamento del flamenco escondido en la sociedad refinada de la m\u00fasica cl\u00e1sica. La b\u00fasqueda de la soledad en el escenario, donde el artista utiliza sonidos como una forma de comunicaci\u00f3n para reclamar un derecho olvidado (Sixto Herrero, 2002)<\/p><\/blockquote>\n<p>El saxofonista Javier De La Vega le encarg\u00f3 una serie de obras a solo para distintos saxofones. Con el t\u00edtulo de \u201cViajeros al Tren\u201d, esta colecci\u00f3n de piezas contiene una obra para cada uno de los miembros del cuarteto de saxofones. Evidentemente, HENDIA es la que corresponde al bar\u00edtono.<\/p>\n<p>Herrero imagin\u00f3 una serie de estados emocionales en la formaci\u00f3n de un m\u00fasico a lo largo de su vida art\u00edstica. En este caso, HENDIA refleja el final del desarrollo del int\u00e9rprete. La obra contiene elementos puramente extra\u00eddos del flamenco donde el int\u00e9rprete hace de m\u00fasico-actor. Por tanto, el contenido de la obra sintetiza, en un solo corpus sonoro, tradici\u00f3n (la influencia del flamenco) y modernidad (el uso de t\u00e9cnicas extendidas y otros recursos propios de los nuevos lenguajes de los siglos XX y XXI).<\/p>\n<p>T\u00e9cnicamente, HENDIA no es una obra muy dif\u00edcil, lo cual te permite enfocarte m\u00e1s en los elementos expresivos y performativos. No obstante, exige un buen control de algunas t\u00e9cnicas extendidas, como el uso de la voz (tratada tanto independientemente como integrada en el sonido del saxof\u00f3n), el registro sobreagudo en diferentes din\u00e1micas (desde <em><strong>ppp<\/strong><\/em> a <em><strong>fff<\/strong><\/em>), cambios de timbre en una misma nota o la definici\u00f3n de algunos multif\u00f3nicos.<\/p>\n<p>El trabajo de interpretaci\u00f3n es muy importante ya que se debe tocar siempre con intensidad. Se tienen que crear momentos de calma y buscar una continuidad del discurso musical, teniendo en cuenta los constantes vaivenes y las pausas. En cuanto a la puesta en escena, el compositor pide que al final de la obra se cante una saeta o se recite un poema mientras se marca un ritmo con sonido de llaves. Esta parte m\u00e1s teatral debe hacerse con convicci\u00f3n.<\/p>\n<p>Una buena interpretaci\u00f3n de esta obra es un \u00e9xito garantizado en la audici\u00f3n o concierto donde la toques.<\/p>\n<h5>&#8212;<\/h5>\n<p>\u00bfTe gustar\u00eda saber m\u00e1s cosas de HENDIA de Sixto Herrero? \u00bfTe gustar\u00eda trabajarla? \u00a1No dudes a <a href=\"https:\/\/joanmf.com\/es\/contacto\/\">contactarme<\/a>!<\/p>\n<p>Joan Mart\u00ed-Frasquier<br \/>\nBarcelona, julio 2018<br \/>\nActualizado: abril 2025<\/p>\n<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>Portada de la edici\u00f3n impresa Para m\u00ed, HENDIA es una obra imprescindible del repertorio original para saxof\u00f3n bar\u00edtono solo. Es corta e intensa, como un buen caf\u00e9. \u00a1An\u00edmate a trabajarla! El compositor SIXTO MANUEL HERRERO RODES (Rafal, Alicante, 1965) es un saxofonista, compositor, director y catedr\u00e1tico de saxof\u00f3n en el Conservatorio Superior de M\u00fasica \u201c\u00d2scar &#8230; <a title=\"HENDIA, Sixto Herrero\" class=\"read-more\" href=\"https:\/\/joanmf.com\/es\/hendia-sixto-herrero\/\" aria-label=\"Leer m\u00e1s sobre HENDIA, Sixto Herrero\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":4,"featured_media":1400,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"generate_page_header":"","footnotes":""},"categories":[32],"tags":[668,666,226,425,667],"class_list":["post-1403","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire-es","tag-flamenco-es","tag-hendia-es","tag-musica-contemporanea","tag-saxofon-baritono-solo","tag-sixto-herrero-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>HENDIA, Sixto Herrero<\/title>\n<meta name=\"description\" content=\"Para m\u00ed, HENDIA es una obra imprescindible del repertorio original para saxof\u00f3n bar\u00edtono solo. 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