{"id":1389,"date":"2020-10-10T13:55:55","date_gmt":"2020-10-10T11:55:55","guid":{"rendered":"https:\/\/joanmf.com\/?p=1389"},"modified":"2025-06-23T00:31:34","modified_gmt":"2025-06-22T22:31:34","slug":"trois-pour-deux-jeanine-rueff","status":"publish","type":"post","link":"https:\/\/joanmf.com\/es\/trois-pour-deux-jeanine-rueff\/","title":{"rendered":"TROIS POUR DEUX, Jeanine Rueff"},"content":{"rendered":"
<\/div>\n
\"TROIS<\/div>\n
Portada de la edici\u00f3n impresa<\/em><\/div>\n
<\/div>\n
\n
\n

Originalmente escrita para saxof\u00f3n bar\u00edtono, nos encontramos con juegos r\u00edtmicos constantes entre el saxof\u00f3n y el piano y muchos contrastes expresivos en sus melod\u00edas.<\/p><\/blockquote>\n

La compositora<\/h2>\n

JEANINE RUEFF (1922 \u2013 1999) estudi\u00f3 en el Conservatorio Nacional Superior de M\u00fasica de Par\u00eds, donde obtuvo Primeros Premios de armon\u00eda, contrapunto y fuga, composici\u00f3n e historia de la m\u00fasica. Su etapa de estudios culmin\u00f3 en 1948 con el prestigioso Prix de Rome<\/em>.<\/p>\n

En 1950 fue nombrada acompa\u00f1ante del aula de clarinete de Ulysse Del\u00e9cluse y del aula de saxof\u00f3n de Marcel Mule, en el Conservatorio de Par\u00eds. En 1960 fue nombrada profesora de solfeo para cantantes y en 1971 de armon\u00eda, plaza que ocupar\u00e1 hasta 1988. Con ella estudiaron muchos de los directores y profesores actuales de conservatorios superiores y regionales y tambi\u00e9n de universidades de hoy en d\u00eda.<\/p>\n

Su producci\u00f3n incluye un Concierto para Clarinete<\/em> y un Concertino para Saxof\u00f3n<\/em>, un Trio<\/em> para oboe, clarinete y fagot, el Concert en Quatuor<\/em> para saxofones, Dialogues<\/em> para viola y piano, una \u00f3pera de c\u00e1mara, una Sinfonietta, un conjunto de Variazioni<\/em> para clarinete, un Diptyque<\/em> para flauta, una Sonata<\/em> para saxof\u00f3n solo y, evidentemente, numerosas obras pedag\u00f3gicas.<\/p>\n<\/div>\n

Detalles de la obra<\/h2>\n

Edici\u00f3n: \u00c9ditions Combre, Par\u00eds (FRA)
\nDuraci\u00f3n: ca. 09:00
\n\u00c1mbito (escrito): LA2 \u2013 SOL5
\nT\u00c9CNICAS: Algunos pasajes muy r\u00e1pidos. Precisi\u00f3n en el picado y las articulaciones. Diversidad de articulaciones. Afinaci\u00f3n de los registros medio y agudo. Multif\u00f3nicos.
\nINTERPRETACI\u00d3N: Tocar con expresividad en las secciones lentas. Tocar con soltura i agilidad en los movimientos r\u00e1pidos. Conjunci\u00f3n y afinaci\u00f3n con el piano.<\/p>\n

Mira el v\u00eddeo!<\/a><\/strong><\/p>\n

Significado y estructura de Trois pour Deux<\/h2>\n

TROIS POUR DEUX fue escrita para (y dedicada a) el saxofonista franc\u00e9s Jean Ledieu y su esposa Odile, pianista. Ellos mismos la estrenaron en el 7\u00ba Congreso Mundial del Saxof\u00f3n en Nuremberg (Alemania) en 1982. El mismo Jean Ledieu hizo la adaptaci\u00f3n para saxof\u00f3n alto posteriormente.<\/p>\n

En general, en TROIS POUR DEUX encontramos elementos musicales de otras obras para saxof\u00f3n de la misma compositora (Chanson et Passepied<\/em>, Concertino<\/em>, etc.) como f\u00f3rmulas r\u00edtmicas de cierta complejidad, variedad de articulaciones y pasajes r\u00e1pidos que dan a las secciones y movimientos r\u00e1pidos un car\u00e1cter vivaz, casi juguet\u00f3n. En las secciones y movimientos lentos encontramos melod\u00edas evocadoras.<\/p>\n

La conjunci\u00f3n entre el saxof\u00f3n bar\u00edtono y el piano no es evidente en el primer momento pero poco a poco se van encontrando f\u00e1cilmente puntos de referencia. Esta obra puede parecer bastante virtuos\u00edstica para el p\u00fablico debido a su variedad r\u00edtmica y pasajes r\u00e1pidos.<\/p>\n

Te comento brevemente sus movimientos:<\/h5>\n
    \n
  1. ALLEGRO CON FUOCO: El movimiento empieza con un breve motivo de tres corcheas muy en\u00e9rgico (acentuado y fuerte) en di\u00e1logo entre el piano y el bar\u00edtono que se va desarrollando hasta que aparece otro tema contrastante m\u00e1s juguet\u00f3n y posteriormente un tercero m\u00e1s mel\u00f3dico e igualmente r\u00e1pido. Estos temas ir\u00e1n apareciendo a lo largo del movimiento, que concluye con el tema r\u00edtmico inicial.<\/li>\n
  2. ASSEZ LENT ET EXPRESSIF: Este es un movimiento l\u00edrico y evocador en forma A-B-A. En la secci\u00f3n central, el piano tiene m\u00e1s protagonismo siendo acompa\u00f1ado por el saxof\u00f3n bar\u00edtono con motivos de tresillos de semicorcheas ligadas.<\/li>\n
  3. RAPIDE: El principio recuerda mucho al primer motivo del primer movimiento aunque escrito en comp\u00e1s de 6\/8. En la secci\u00f3n central aparecen valores m\u00e1s largos que le otorgan un poco de calma y cabe destacar la presencia de tres multif\u00f3nicos (un elemento de la m\u00fasica contempor\u00e1nea que sorprende en la m\u00fasica de Rueff). El movimiento acaba de una manera muy brillante y resolutiva.<\/li>\n<\/ol>\n

    TROIS POUR DEUX es otro buen ejemplo de obra que deber\u00eda conocerse e interpretarse m\u00e1s frecuentemente. No me opongo a la pr\u00e1ctica de tocar transcripciones de obras de otros instrumentos como el violoncelo, el fagot, el clarinete bajo, etc., pero tenemos obras originales de calidad en nuestro repertorio que tenemos que difundir. Si no lo hacemos los mismos saxofonistas, \u00bfqui\u00e9n lo har\u00e1 por nosotros?<\/p>\n

    —<\/strong><\/p>\n

    \u00bfTe gustar\u00eda saber m\u00e1s cosas de TROIS POUR DEUX de Jeanine Rueff? \u00bfTe gustar\u00eda trabajarla conmigo? \u00a1No dudes a contactarme<\/a>!<\/p>\n

    Joan Mart\u00ed-Frasquier
    \nBarcelona, julio 2018
    \nActualizado: febrero 2024<\/p>\n<\/section>\n","protected":false},"excerpt":{"rendered":"

    Portada de la edici\u00f3n impresa Originalmente escrita para saxof\u00f3n bar\u00edtono, nos encontramos con juegos r\u00edtmicos constantes entre el saxof\u00f3n y el piano y muchos contrastes expresivos en sus melod\u00edas. La compositora JEANINE RUEFF (1922 \u2013 1999) estudi\u00f3 en el Conservatorio Nacional Superior de M\u00fasica de Par\u00eds, donde obtuvo Primeros Premios de armon\u00eda, contrapunto y fuga, … Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":4,"featured_media":1385,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"generate_page_header":"","footnotes":""},"categories":[32],"tags":[472,71,474,384,473],"class_list":["post-1389","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire-es","tag-jeaninne-rueff-es","tag-joan-marti-frasquier-es","tag-musica-clasica","tag-saxofon-baritono-y-piano","tag-trois-pour-deux-es"],"yoast_head":"\nTROIS POUR DEUX Jeanine Rueff<\/title>\n<meta name=\"description\" content=\"En TROIS POUR DEUX encontramos con juegos r\u00edtmicos constantes entre el saxof\u00f3n y el piano y muchos contrastes expresivos en sus melod\u00edas\" \/>\n<meta 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