{"id":2671,"date":"2025-03-01T01:20:09","date_gmt":"2025-03-01T00:20:09","guid":{"rendered":"https:\/\/joanmf.com\/?p=2671"},"modified":"2026-08-22T08:41:33","modified_gmt":"2026-08-22T06:41:33","slug":"dones-compositores","status":"publish","type":"post","link":"https:\/\/joanmf.com\/ca\/dones-compositores\/","title":{"rendered":"Dones compositores i sax\u00f2fon: repensant el repertori"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter wp-image-2663 size-full\" src=\"https:\/\/joanmf.com\/wp-content\/uploads\/2021\/03\/Captura-de-pantalla-2021-03-07-a-les-11.23.12.jpg\" alt=\"\" width=\"533\" height=\"333\" srcset=\"https:\/\/joanmf.com\/wp-content\/uploads\/2021\/03\/Captura-de-pantalla-2021-03-07-a-les-11.23.12.jpg 533w, https:\/\/joanmf.com\/wp-content\/uploads\/2021\/03\/Captura-de-pantalla-2021-03-07-a-les-11.23.12-300x187.jpg 300w\" sizes=\"(max-width: 533px) 100vw, 533px\" \/><\/p>\n<blockquote><p>La imatge que he triat per a aquest post prov\u00e9 del compte de Twitter del <a href=\"http:\/\/www.womencomposersfestivalhartford.com\/\">Festival de Hartford de Dones Compositores<\/a> (Hartford, Connecticut, USA).<\/p>\n<p class=\"PDq2pG_selectionAnchorContainer\" data-start=\"928\" data-end=\"1290\">La vaig trobar fa temps i em va fer reflexionar sobre les desigualtats de g\u00e8nere que encara persisteixen tant en el m\u00f3n de la m\u00fasica com en la societat en general, una realitat que em sembla dif\u00edcilment justificable avui dia.<\/p>\n<p data-start=\"1292\" data-end=\"1495\">Per\u00f2, sobretot, em va portar a una idea tan senzilla com necess\u00e0ria: programar obres de dones compositores hauria de formar part amb tota naturalitat de la vida musical, i no ser una moda passatgera.<\/p>\n<\/blockquote>\n<h2>Mirar enrere, avan\u00e7ar<\/h2>\n<p>No podem canviar un passat en qu\u00e8 el paper de les dones en la m\u00fasica va ser massa sovint marginal, especialment en l\u2019\u00e0mbit de la composici\u00f3. Per\u00f2 s\u00ed que tenim una responsabilitat en el present: combatre qualsevol forma de discriminaci\u00f3, tamb\u00e9 la de g\u00e8nere, i contribuir a construir unes bases m\u00e9s s\u00f2lides i inclusives per a les futures generacions d\u2019artistes.<\/p>\n<h2>El repertori del sax\u00f2fon com a oportunitat<\/h2>\n<p>Afortunadament, que el sax\u00f2fon tingui un repertori original m\u00e9s o menys recent permet que s&#8217;interpretin amb freq\u00fc\u00e8ncia obres de compositores com Paule Maurice, Jeanine Rueff, Ida Gotkovsky o Betsy Jolas, entre moltes d&#8217;altres.<\/p>\n<p>Si t&#8217;interessa con\u00e8ixer m\u00e9s obres per a sax\u00f2fon de dones compositores, trobar\u00e0s una gran quantitat de peces per a sax\u00f2fon bar\u00edton escrites per dones al <a href=\"https:\/\/joanmf.com\/ca\/repertorio-general-para-saxofon-baritono\/\">Repertori General<\/a> del blog de la meva p\u00e0gina web.<\/p>\n<h2>Una selecci\u00f3 personal<\/h2>\n<p class=\"PDq2pG_selectionAnchorContainer\" data-start=\"2436\" data-end=\"2645\">A continuaci\u00f3 trobar\u00e0s una selecci\u00f3 d\u2019obres de dones compositores que he interpretat en concert. Algunes tamb\u00e9 estan enregistrades, i hi he afegit els enlla\u00e7os corresponents perqu\u00e8 les puguis escoltar o veure.<\/p>\n<p data-start=\"2647\" data-end=\"2874\">Per ser del tot honest, no hi he incl\u00f2s cap obra que no hagi passat abans per la meva sala d\u2019estudi. Espero que, amb el temps, moltes m\u00e9s d\u2019aquestes peces acabin arribant als escenaris \u2014i que se n\u2019hi vagin incorporant de noves.<\/p>\n<p class=\"\" data-start=\"2876\" data-end=\"2937\">Aquest \u00e9s el meu repertori d\u2019obres de dones compositores:<\/p>\n<h4><strong>BENITO, Isabel.<\/strong><\/h4>\n<ol>\n<li><strong><em>Quasi uno Specchio<\/em>,\u00a0<\/strong>per a sax\u00f2fon bar\u00edton sol (2020)\n<ul>\n<li><a href=\"https:\/\/open.spotify.com\/album\/7xQXH0ilLZTZ9yV8TH3ku1?si=gxwtfvrIQhmIeYxvjdbs_w\"><strong>Escolta-la!<\/strong><\/a><br \/>\n<strong>&gt;&gt;&gt;<a href=\"https:\/\/joanmf.com\/ca\/suite-mixtur\/\">Clica aqu\u00ed<\/a><\/strong>\u00a0per saber-ne m\u00e9s.<\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<h4><strong>CAPDEVILA, Merc\u00e8.<\/strong><\/h4>\n<ol>\n<li><strong><em>A Chillida<\/em>, <\/strong>per a sax\u00f2fon bar\u00edton modulat en viu i electr\u00f2nica fixa (1997)\n<ul>\n<li><a href=\"https:\/\/open.spotify.com\/track\/6U8NbSZvwOryjA7zkfof0L?si=34667f98f58f4554\"><strong>Escolta-la!<\/strong><\/a><br \/>\n<strong>&gt;&gt;&gt;<a href=\"https:\/\/joanmf.com\/ca\/a-chillida-merce-capdevila\/\">Clica aqu\u00ed<\/a><\/strong>\u00a0per saber-ne m\u00e9s.<\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<h4><strong>CLAUSSEN, Martina.<\/strong><\/h4>\n<ol>\n<li><strong><em>Trigger II_b<\/em>, <\/strong>per a sax\u00f2fon bar\u00edton i electr\u00f2nica en viu (2023)\n<ul>\n<li><a href=\"https:\/\/soundcloud.com\/joan-mart-frasquier\/trigger_iib-2023-for-baritone-saxophone-and-electronics-martina-claussen\"><strong>Escolta-la!<\/strong><\/a><\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<h4><strong>CLYNE, Anna.<\/strong><\/h4>\n<ol>\n<li><strong><em>Choke<\/em>, <\/strong>per a sax\u00f2fon bar\u00edton i electr\u00f2nica fixa (2004)<\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">GERASIMENOK, Tatiana.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>4bkl<\/em>,<\/strong> per a actriu, sax\u00f2fon bar\u00edton i electr\u00f2nica en viu (2020)<\/span>\n<ul>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=gYkF8X-_uYU\"><strong>Mira el v\u00eddeo!<\/strong><\/a><\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">GHEORGHITA, Daniela.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Hemingsea<\/em>,<\/strong> per a sax\u00f2fon bar\u00edton sol (2026)<\/span><\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">GOTKOVSKY, Ida.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Brillance<\/em>,<\/strong> per a sax\u00f2fon alt i piano (1974)<\/span><\/li>\n<li><span class=\"s1\"><strong><em>Quatuor de saxophones<\/em>,<\/strong> per a quartet de sax\u00f2fons (SATB) (1983)<\/span><\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">GUBAIDULINA, Sofia.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Duo-Sonata<\/em>,<\/strong> original per a dos fagots (1977)<\/span><\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">LEONOVA, Elena.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Imperative!<\/em>,<\/strong> per a sax\u00f2fon bar\u00edton sol (2015)<\/span><\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">LEPAUVRE, Manon.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Agrion Hast\u00e9<\/em>,<\/strong> per a sax\u00f2fon bar\u00edton i electr\u00f2nica en viu (2019)<\/span><\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">McTEE, Cindy.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Circuits<\/em>,<\/strong> per a sax\u00f2fon alt i electr\u00f2nica fixa (1992)<\/span><\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">NEUWIRTH, Olga.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Spleen III<\/em>,<\/strong> per a sax\u00f2fon bar\u00edton sol (2001)<\/span>\n<ul>\n<li><a href=\"https:\/\/soundcloud.com\/joan-mart-frasquier\/neuwirth-o-spleen-iii\"><strong>Escolta-la!<\/strong><\/a><\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<h4><strong>P\u00c9REZ LAND\u00cdNEZ, \u00c1ngela B.<\/strong><\/h4>\n<ol>\n<li><strong><em>Splat!<\/em>, <\/strong>per a sax\u00f2fon bar\u00edton sol (2025)<\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">PETROVIC, Albena.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Dreamlover<\/em>,<\/strong> per a sax\u00f2fon bar\u00edton sol (2017)<\/span>\n<ul>\n<li><a href=\"https:\/\/soundcloud.com\/joan-mart-frasquier\/dreamlover-2017-for-baritone-saxophone-solo-albena-petrovic-vratchanska\"><strong><span class=\"s1\">Escolta-la!<\/span><\/strong><\/a><\/li>\n<li><span class=\"s1\"><strong>&gt;&gt;&gt;<a href=\"https:\/\/joanmf.com\/ca\/dreamlover-albena-petrovic\/\">Clica aqu\u00ed<\/a><\/strong>\u00a0per saber-ne m\u00e9s.<\/span><\/li>\n<\/ul>\n<\/li>\n<li><span class=\"s1\"><strong><em>Concerto<\/em>,<\/strong> per a sax\u00f2fon bar\u00edton, piano i orquestra de cordes (2018)<\/span>\n<ul>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=1iP5T4m9kV0\"><strong><span class=\"s1\">Mira el v\u00eddeo!<\/span><\/strong><\/a><\/li>\n<li><span class=\"s1\"><strong>&gt;&gt;&gt;<a href=\"https:\/\/joanmf.com\/ca\/concert-albena-petrovic\/\">Clica aqu\u00ed<\/a><\/strong>\u00a0per saber-ne m\u00e9s. <\/span><\/li>\n<\/ul>\n<\/li>\n<li><span class=\"s1\"><strong><em>Concerto<\/em><\/strong>, versi\u00f3 a duo per a sax\u00f2fon bar\u00edton i piano (2021)<\/span>\n<ul>\n<li><a href=\"https:\/\/open.spotify.com\/track\/5J2N5aqonV0QPq5Er6XsG4?si=744dab1d478e46fb\"><strong><span class=\"s1\">Escolat&#8217;l!<\/span><\/strong><\/a><\/li>\n<\/ul>\n<\/li>\n<li><span class=\"s1\"><strong><em>Love and Jealousy<\/em>,<\/strong> opera de cambra que inclou un sax\u00f2fon alt (2018)<\/span><\/li>\n<li><span class=\"s1\"><em><strong>Two pieces, <\/strong><\/em>per a sax\u00f2fon alt sol (2021, extretes de l&#8217;\u00f2pera <em>Love and Jealousy<\/em>)<\/span>\n<ul>\n<li><a href=\"https:\/\/open.spotify.com\/track\/0rYM1SwcG3SbW716a8BMss?si=162ca48d5f11499e\"><strong>Escolta-la!<\/strong><\/a><\/li>\n<\/ul>\n<\/li>\n<li><span class=\"s1\"><strong><em>Po\u00e8mes-Masques<\/em>,<\/strong> per a veu de soprano i sax\u00f2fon bar\u00edton (2021)<\/span>\n<ul>\n<li><a href=\"https:\/\/open.spotify.com\/track\/5D6n6iDOus0rNZwBs7UYAw?si=eca535f55aba4adc\"><strong>Escolta-la!<\/strong><\/a><\/li>\n<\/ul>\n<\/li>\n<li><strong><em>Big Blue Duet<\/em>,<\/strong> per a sax\u00f2fon bar\u00edton i piano (2022)<\/li>\n<li><strong><em>Whispers<\/em>,<\/strong> per a veu de mezzo-soprano, clarinet, sax\u00f2fon bar\u00edton i electr\u00f2nica fixa (2023)<\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">RIBAS, Maria Rosa.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Sonata<\/em>,<\/strong> per a sax\u00f2fon alt i piano (1980)<\/span><\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">RUEFF, Jeanine.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Chanson et Passepied<\/em>,<\/strong> per a sax\u00f2fon alt i piano (1951)<\/span>\n<ul>\n<li><a href=\"https:\/\/soundcloud.com\/joan-mart-frasquier\/chanson-et-passepied-1951-for-alto-saxophone-and-piano-jeaninne-rueff\"><strong>Escolta-la amb bar\u00edton!<\/strong><\/a><\/li>\n<\/ul>\n<\/li>\n<li><em><strong>Trois pour Deux<\/strong><\/em>, per a sax\u00f2fon bar\u00edton i piano (1982)\n<ul>\n<li><strong>&gt;&gt;&gt;<a href=\"https:\/\/joanmf.com\/ca\/trois-pour-deux-jeanine-rueff\/\">Clica aqu\u00ed<\/a><\/strong>\u00a0per saber-ne m\u00e9s.<\/li>\n<\/ul>\n<\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">TANAKA, Karen.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Night Bird<\/em>,<\/strong> per a sax\u00f2fon alt i electr\u00f2nica fixa (1996)<\/span><\/li>\n<\/ol>\n<h4><strong><span class=\"s1\">TORRAS, Montserrat.<\/span><\/strong><\/h4>\n<ol>\n<li><span class=\"s1\"><strong><em>Textures<\/em>,<\/strong> per a sax\u00f2fon alt i viol\u00ed (2004)<\/span><\/li>\n<\/ol>\n<h5>&#8212;<\/h5>\n<p>Has trobat aquest post interessant? T&#8217;agradaria treballar amb mi alguna obra d&#8217;aquest llistat? T&#8217;animo a descobrir aquestes i m\u00e9s obres de dones compositores. Si ho necessites, no dubtis a <a href=\"https:\/\/joanmf.com\/ca\/contacte\/\">contactar-me<\/a>.<\/p>\n<p>Joan Mart\u00ed-Frasquier.<br \/>\nBarcelona, 08-03-2021<br \/>\nDarrera actualitzaci\u00f3: 17-04-2026<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La imatge que he triat per a aquest post prov\u00e9 del compte de Twitter del Festival de Hartford de Dones Compositores (Hartford, Connecticut, USA). La vaig trobar fa temps i em va fer reflexionar sobre les desigualtats de g\u00e8nere que encara persisteixen tant en el m\u00f3n de la m\u00fasica com en la societat en general, &#8230; <a title=\"Dones compositores i sax\u00f2fon: repensant el repertori\" class=\"read-more\" href=\"https:\/\/joanmf.com\/ca\/dones-compositores\/\" aria-label=\"M\u00e9s informaci\u00f3 sobre Dones compositores i sax\u00f2fon: repensant el repertori\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":5,"featured_media":2663,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"generate_page_header":"","footnotes":""},"categories":[33],"tags":[78,75,76,74,77,49],"class_list":["post-2671","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies","tag-compositores","tag-dones-compositores","tag-joan-marti-frasquier-ca","tag-musica-classica-contemporania","tag-saxofon-ca","tag-saxofon-bariton"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Dones compositores i sax\u00f2fon: repensant el repertori<\/title>\n<meta name=\"description\" content=\"Una reflexi\u00f3 sobre les desigualtats de g\u00e8nere en la m\u00fasica i una selecci\u00f3 personal d\u2019obres per a sax\u00f2fon escrites per dones compositores, basada en la meva experi\u00e8ncia com a int\u00e8rpret.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/joanmf.com\/ca\/dones-compositores\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dones compositores i sax\u00f2fon: repensant el repertori\" \/>\n<meta property=\"og:description\" content=\"Una reflexi\u00f3 sobre les desigualtats de g\u00e8nere en la m\u00fasica i una selecci\u00f3 personal d\u2019obres per a sax\u00f2fon escrites per dones compositores, basada en la meva experi\u00e8ncia com a int\u00e8rpret.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/joanmf.com\/ca\/dones-compositores\/\" \/>\n<meta property=\"og:site_name\" content=\"My Site\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/joan.barisax\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-03-01T00:20:09+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-22T06:41:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/joanmf.com\/wp-content\/uploads\/2021\/03\/Captura-de-pantalla-2021-03-07-a-les-11.23.12.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"533\" \/>\n\t<meta property=\"og:image:height\" content=\"333\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Joan Marti-Frasquier\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@JoanMFbarisax\" \/>\n<meta name=\"twitter:site\" content=\"@JoanMFbarisax\" \/>\n<meta name=\"twitter:label1\" content=\"Escrit per\" \/>\n\t<meta name=\"twitter:data1\" content=\"Joan Marti-Frasquier\" \/>\n\t<meta name=\"twitter:label2\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuts\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/ca\\\/dones-compositores\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/ca\\\/dones-compositores\\\/\"},\"author\":{\"name\":\"Joan Marti-Frasquier\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/#\\\/schema\\\/person\\\/01453c6c60cea6ffe846087a6df7f6ee\"},\"headline\":\"Dones compositores i sax\u00f2fon: repensant el repertori\",\"datePublished\":\"2025-03-01T00:20:09+00:00\",\"dateModified\":\"2026-08-22T06:41:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/ca\\\/dones-compositores\\\/\"},\"wordCount\":803,\"publisher\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/ca\\\/dones-compositores\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/joanmf.com\\\/wp-content\\\/uploads\\\/2021\\\/03\\\/Captura-de-pantalla-2021-03-07-a-les-11.23.12.jpg\",\"keywords\":[\"Compositores\",\"Dones Compositores\",\"Joan Mart\u00ed-Frasquier\",\"M\u00fasica Cl\u00e0ssica Contempor\u00e0nia\",\"Sax\u00f2fon\",\"Sax\u00f2fon Bar\u00edton\"],\"articleSection\":[\"Not\u00edcies\"],\"inLanguage\":\"ca\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/ca\\\/dones-compositores\\\/\",\"url\":\"https:\\\/\\\/joanmf.com\\\/ca\\\/dones-compositores\\\/\",\"name\":\"Dones compositores i sax\u00f2fon: repensant el repertori\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/ca\\\/dones-compositores\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/ca\\\/dones-compositores\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/joanmf.com\\\/wp-content\\\/uploads\\\/2021\\\/03\\\/Captura-de-pantalla-2021-03-07-a-les-11.23.12.jpg\",\"datePublished\":\"2025-03-01T00:20:09+00:00\",\"dateModified\":\"2026-08-22T06:41:33+00:00\",\"description\":\"Una reflexi\u00f3 sobre les desigualtats de g\u00e8nere en la m\u00fasica i una selecci\u00f3 personal d\u2019obres per a sax\u00f2fon escrites per dones compositores, basada en la meva experi\u00e8ncia com a int\u00e8rpret.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/ca\\\/dones-compositores\\\/#breadcrumb\"},\"inLanguage\":\"ca\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/joanmf.com\\\/ca\\\/dones-compositores\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/ca\\\/dones-compositores\\\/#primaryimage\",\"url\":\"https:\\\/\\\/joanmf.com\\\/wp-content\\\/uploads\\\/2021\\\/03\\\/Captura-de-pantalla-2021-03-07-a-les-11.23.12.jpg\",\"contentUrl\":\"https:\\\/\\\/joanmf.com\\\/wp-content\\\/uploads\\\/2021\\\/03\\\/Captura-de-pantalla-2021-03-07-a-les-11.23.12.jpg\",\"width\":533,\"height\":333,\"caption\":\"Dones compositores i sax\u00f2fon\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/ca\\\/dones-compositores\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/joanmf.com\\\/ca\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Dones compositores i sax\u00f2fon: repensant el repertori\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/#website\",\"url\":\"https:\\\/\\\/joanmf.com\\\/\",\"name\":\"My Site\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/joanmf.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"ca\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/#organization\",\"name\":\"Joan Marti-Frasquier\",\"url\":\"https:\\\/\\\/joanmf.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/joanmf.com\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/JoanMF_DanielMiguel_41_Web.jpg\",\"contentUrl\":\"https:\\\/\\\/joanmf.com\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/JoanMF_DanielMiguel_41_Web.jpg\",\"width\":1200,\"height\":800,\"caption\":\"Joan Marti-Frasquier\"},\"image\":{\"@id\":\"https:\\\/\\\/joanmf.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/joan.barisax\\\/\",\"https:\\\/\\\/x.com\\\/JoanMFbarisax\",\"https:\\\/\\\/www.instagram.com\\\/joanmf.barisax\\\/\",\"https:\\\/\\\/www.youtube.com\\\/channel\\\/UCk_AC9MMl5SQaFvFUaAKV_w\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/joanmf.com\\\/#\\\/schema\\\/person\\\/01453c6c60cea6ffe846087a6df7f6ee\",\"name\":\"Joan Marti-Frasquier\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/b1f9dce30ca467662a0ebb751927285b9e7854480dc70911e4e78c716b6a98d9?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/b1f9dce30ca467662a0ebb751927285b9e7854480dc70911e4e78c716b6a98d9?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/b1f9dce30ca467662a0ebb751927285b9e7854480dc70911e4e78c716b6a98d9?s=96&d=mm&r=g\",\"caption\":\"Joan Marti-Frasquier\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Dones compositores i sax\u00f2fon: repensant el repertori","description":"Una reflexi\u00f3 sobre les desigualtats de g\u00e8nere en la m\u00fasica i una selecci\u00f3 personal d\u2019obres per a sax\u00f2fon escrites per dones compositores, basada en la meva experi\u00e8ncia com a int\u00e8rpret.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/joanmf.com\/ca\/dones-compositores\/","og_locale":"ca_ES","og_type":"article","og_title":"Dones compositores i sax\u00f2fon: repensant el repertori","og_description":"Una reflexi\u00f3 sobre les desigualtats de g\u00e8nere en la m\u00fasica i una selecci\u00f3 personal d\u2019obres per a sax\u00f2fon escrites per dones compositores, basada en la meva experi\u00e8ncia com a int\u00e8rpret.","og_url":"https:\/\/joanmf.com\/ca\/dones-compositores\/","og_site_name":"My Site","article_publisher":"https:\/\/www.facebook.com\/joan.barisax\/","article_published_time":"2025-03-01T00:20:09+00:00","article_modified_time":"2026-08-22T06:41:33+00:00","og_image":[{"width":533,"height":333,"url":"https:\/\/joanmf.com\/wp-content\/uploads\/2021\/03\/Captura-de-pantalla-2021-03-07-a-les-11.23.12.jpg","type":"image\/jpeg"}],"author":"Joan Marti-Frasquier","twitter_card":"summary_large_image","twitter_creator":"@JoanMFbarisax","twitter_site":"@JoanMFbarisax","twitter_misc":{"Escrit per":"Joan Marti-Frasquier","Temps estimat de lectura":"4 minuts"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/joanmf.com\/ca\/dones-compositores\/#article","isPartOf":{"@id":"https:\/\/joanmf.com\/ca\/dones-compositores\/"},"author":{"name":"Joan Marti-Frasquier","@id":"https:\/\/joanmf.com\/#\/schema\/person\/01453c6c60cea6ffe846087a6df7f6ee"},"headline":"Dones compositores i sax\u00f2fon: repensant el repertori","datePublished":"2025-03-01T00:20:09+00:00","dateModified":"2026-08-22T06:41:33+00:00","mainEntityOfPage":{"@id":"https:\/\/joanmf.com\/ca\/dones-compositores\/"},"wordCount":803,"publisher":{"@id":"https:\/\/joanmf.com\/#organization"},"image":{"@id":"https:\/\/joanmf.com\/ca\/dones-compositores\/#primaryimage"},"thumbnailUrl":"https:\/\/joanmf.com\/wp-content\/uploads\/2021\/03\/Captura-de-pantalla-2021-03-07-a-les-11.23.12.jpg","keywords":["Compositores","Dones Compositores","Joan Mart\u00ed-Frasquier","M\u00fasica Cl\u00e0ssica Contempor\u00e0nia","Sax\u00f2fon","Sax\u00f2fon Bar\u00edton"],"articleSection":["Not\u00edcies"],"inLanguage":"ca"},{"@type":"WebPage","@id":"https:\/\/joanmf.com\/ca\/dones-compositores\/","url":"https:\/\/joanmf.com\/ca\/dones-compositores\/","name":"Dones compositores i sax\u00f2fon: repensant el repertori","isPartOf":{"@id":"https:\/\/joanmf.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/joanmf.com\/ca\/dones-compositores\/#primaryimage"},"image":{"@id":"https:\/\/joanmf.com\/ca\/dones-compositores\/#primaryimage"},"thumbnailUrl":"https:\/\/joanmf.com\/wp-content\/uploads\/2021\/03\/Captura-de-pantalla-2021-03-07-a-les-11.23.12.jpg","datePublished":"2025-03-01T00:20:09+00:00","dateModified":"2026-08-22T06:41:33+00:00","description":"Una reflexi\u00f3 sobre les desigualtats de g\u00e8nere en la m\u00fasica i una selecci\u00f3 personal d\u2019obres per a sax\u00f2fon escrites per dones compositores, basada en la meva experi\u00e8ncia com a int\u00e8rpret.","breadcrumb":{"@id":"https:\/\/joanmf.com\/ca\/dones-compositores\/#breadcrumb"},"inLanguage":"ca","potentialAction":[{"@type":"ReadAction","target":["https:\/\/joanmf.com\/ca\/dones-compositores\/"]}]},{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/joanmf.com\/ca\/dones-compositores\/#primaryimage","url":"https:\/\/joanmf.com\/wp-content\/uploads\/2021\/03\/Captura-de-pantalla-2021-03-07-a-les-11.23.12.jpg","contentUrl":"https:\/\/joanmf.com\/wp-content\/uploads\/2021\/03\/Captura-de-pantalla-2021-03-07-a-les-11.23.12.jpg","width":533,"height":333,"caption":"Dones compositores i sax\u00f2fon"},{"@type":"BreadcrumbList","@id":"https:\/\/joanmf.com\/ca\/dones-compositores\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/joanmf.com\/ca\/"},{"@type":"ListItem","position":2,"name":"Dones compositores i sax\u00f2fon: repensant el repertori"}]},{"@type":"WebSite","@id":"https:\/\/joanmf.com\/#website","url":"https:\/\/joanmf.com\/","name":"My Site","description":"","publisher":{"@id":"https:\/\/joanmf.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/joanmf.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"ca"},{"@type":"Organization","@id":"https:\/\/joanmf.com\/#organization","name":"Joan Marti-Frasquier","url":"https:\/\/joanmf.com\/","logo":{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/joanmf.com\/#\/schema\/logo\/image\/","url":"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/JoanMF_DanielMiguel_41_Web.jpg","contentUrl":"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/JoanMF_DanielMiguel_41_Web.jpg","width":1200,"height":800,"caption":"Joan Marti-Frasquier"},"image":{"@id":"https:\/\/joanmf.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/joan.barisax\/","https:\/\/x.com\/JoanMFbarisax","https:\/\/www.instagram.com\/joanmf.barisax\/","https:\/\/www.youtube.com\/channel\/UCk_AC9MMl5SQaFvFUaAKV_w"]},{"@type":"Person","@id":"https:\/\/joanmf.com\/#\/schema\/person\/01453c6c60cea6ffe846087a6df7f6ee","name":"Joan Marti-Frasquier","image":{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/secure.gravatar.com\/avatar\/b1f9dce30ca467662a0ebb751927285b9e7854480dc70911e4e78c716b6a98d9?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/b1f9dce30ca467662a0ebb751927285b9e7854480dc70911e4e78c716b6a98d9?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/b1f9dce30ca467662a0ebb751927285b9e7854480dc70911e4e78c716b6a98d9?s=96&d=mm&r=g","caption":"Joan Marti-Frasquier"}}]}},"_links":{"self":[{"href":"https:\/\/joanmf.com\/ca\/wp-json\/wp\/v2\/posts\/2671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/joanmf.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/joanmf.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/joanmf.com\/ca\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/joanmf.com\/ca\/wp-json\/wp\/v2\/comments?post=2671"}],"version-history":[{"count":18,"href":"https:\/\/joanmf.com\/ca\/wp-json\/wp\/v2\/posts\/2671\/revisions"}],"predecessor-version":[{"id":8396,"href":"https:\/\/joanmf.com\/ca\/wp-json\/wp\/v2\/posts\/2671\/revisions\/8396"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/joanmf.com\/ca\/wp-json\/wp\/v2\/media\/2663"}],"wp:attachment":[{"href":"https:\/\/joanmf.com\/ca\/wp-json\/wp\/v2\/media?parent=2671"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/joanmf.com\/ca\/wp-json\/wp\/v2\/categories?post=2671"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/joanmf.com\/ca\/wp-json\/wp\/v2\/tags?post=2671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}