{"id":1469,"date":"2020-10-15T17:10:14","date_gmt":"2020-10-15T15:10:14","guid":{"rendered":"https:\/\/joanmf.com\/?p=1469"},"modified":"2025-06-21T00:39:42","modified_gmt":"2025-06-20T22:39:42","slug":"a-chillida-merce-capdevila","status":"publish","type":"post","link":"https:\/\/joanmf.com\/ca\/a-chillida-merce-capdevila\/","title":{"rendered":"A CHILLIDA, Merc\u00e8 Capdevila"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-1461 aligncenter\" src=\"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/A-Chillida.jpg\" alt=\"A Chillida\" width=\"957\" height=\"648\" srcset=\"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/A-Chillida.jpg 957w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/A-Chillida-300x203.jpg 300w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/A-Chillida-768x520.jpg 768w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/A-Chillida-600x406.jpg 600w\" sizes=\"(max-width: 957px) 100vw, 957px\" \/><\/p>\n<div class=\"av-special-heading av-special-heading-h3 avia-builder-el-4 el_after_av_one_fifth el_before_av_textblock \">\n<p style=\"text-align: center;\"><em>Foto extreta de Turismo Donostia<\/em><\/p>\n<blockquote><p>Cadascuna de les cinc parts o forges d&#8217;A CHILLIDA \u00e9s un desplegament t\u00e8cnic de l\u2019instrument i de t\u00edmbriques en l\u2019electr\u00f2nica. Simplement espectacular.<\/p><\/blockquote>\n<div class=\"av-special-heading av-special-heading-h3 avia-builder-el-6 el_after_av_textblock el_before_av_textblock \">\n<h2 class=\"av-special-heading-tag\">La compositora<\/h2>\n<\/div>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<p>MERC\u00c8 CAPDEVILA (Barcelona, 1946) va estudiar al Conservatori Municipal de M\u00fasica de Barcelona i, al mateix temps, Arts Pl\u00e0stiques a l\u2019Escola Municipal \u201cMassana\u201d (Barcelona) i a la Kunsthand Werk Schule de Pforzheim (Alemanya) amb el professor Edward Mosny.<\/p>\n<p>Capdevila \u00e9s membre fundadora de l\u2019Associaci\u00f3 de M\u00fasica Electroac\u00fastica d\u2019Espanya. La seva m\u00fasica ha estat interpretada a Europa, Canad\u00e0 i els Estats Units. El 1993-94 va ser compositora convidada a la Aaron Copland School of Music de la Universitat de New York al Queens College.<\/p>\n<p><strong><a href=\"http:\/\/www.accompositors.com\/compositores-curriculum.php?nIdioma=cat&amp;idComp=28\">Clica aqu\u00ed<\/a><\/strong> per saber-ne m\u00e9s.<\/p>\n<\/div>\n<\/section>\n<h2 class=\"av-special-heading-tag\">Detalls de l&#8217;obra<\/h2>\n<\/div>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<p><strong>Electr\u00f2nica fixa i sax\u00f2fon bar\u00edton modulat en temps real amb un SPX90 II.<\/strong><br \/>\nExisteix tamb\u00e9 una versi\u00f3 amb electr\u00f2nica en viu realitzada pel compositor i artista sonor <a href=\"https:\/\/www.joanbages.com\/\"><strong>Joan Bag\u00e9s i Rub\u00ed<\/strong><\/a>.<br \/>\nEdici\u00f3: Contacta amb la compositora (<a href=\"mailto:mercecapdevilagaya@gmail.com\">mercecapdevilagaya@gmail.com<\/a>)<br \/>\nDurada: 16:10<br \/>\n\u00c0mbit (escrit): LA2 \u2013 FA6 (o el m\u00e9s agut possible)<br \/>\nT\u00c8CNIQUES: Diversitat d\u2019articulacions, slaps, glissandi, trinos i tr\u00e8molos, flatter, registre sobreagut extrem, precisi\u00f3 dels picats, sons de claus, sons d\u2019aire, harm\u00f2nics naturals, \u00fas de la veu, sons de trompeta.<br \/>\nINTERPRETACI\u00d3: Tocar amb molta energia. Actitud esc\u00e8nica.<\/p>\n<p><iframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/track\/6U8NbSZvwOryjA7zkfof0L?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n<\/section>\n<div class=\"av-special-heading av-special-heading-h3 avia-builder-el-6 el_after_av_textblock el_before_av_textblock \"><\/div>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<h2>Significat i estructura d&#8217;A Chillida<\/h2>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<p>El saxofonista Josep Maria Aparicio, un dels pocs m\u00fasics que va promoure i difondre la m\u00fasica contempor\u00e0nia a Catalunya als anys 80 i 90 del segle passat, va estrenar A CHILLIDA el 1997 i em va donar a con\u00e8ixer l\u2019obra uns anys despr\u00e9s.<\/p>\n<p>M\u00e9s tard, el compositor i artista sonor Joan Bag\u00e9s i jo vam treballar l\u2019obra amb la Merc\u00e8 Capdevila, a m\u00e9s de fer la nova versi\u00f3 de l\u2019obra per a bar\u00edton i electr\u00f2nica en viu. Aquesta \u00e9s la versi\u00f3 que podeu escoltar al meu disc <a href=\"https:\/\/open.spotify.com\/album\/2xIxjmH6fuw3lWz1xPKbqP?si=piX4BiedQgalIPqY8jGvSg\"><strong>MADE IN BCN<\/strong><\/a> (LMG-2154) de 2018.<\/p>\n<p>Merc\u00e8 Capdevila em va comentar sobre A CHILLIDA:<\/p>\n<blockquote><p><em>La contemplaci\u00f3 de les obres de l\u2019escultor Eduardo Chillida en el seu conjunt em van fer pensar que totes les seves obres es poden mirar, observar i\/o sentir de maneres ben diferents segons el lloc des d\u2019on es miren i com els espais i les l\u00ednies tamb\u00e9 poden canviar de significat. Vaig imaginar com crear una m\u00fasica on els diferents espais, l\u00ednies o blocs canviessin de significat i vaig intentar representar el buit dins de la forma, l\u2019ess\u00e8ncia del material i una certa sensaci\u00f3 de monumentalitat. <\/em><\/p>\n<p><em>La partitura d\u2019A CHILLIDA est\u00e0 constitu\u00efda per 5 blocs o moviments que representen 5 forges diferents dins d\u2019una mateixa obra. Forjar \u00e9s el procediment de conformaci\u00f3 de metalls que consisteix en variar la forma d\u2019una pe\u00e7a per compressi\u00f3, en calent, entre dues superf\u00edcies dures, una fixa i una altra m\u00f2bil. La forja modifica l\u2019estructura del metall deformant-la i fraccionant-la en cristalls. <\/em><\/p>\n<p><em>Es podria dir que no existeixen ritmes si no tan sols pulsaci\u00f3. Entre les diferents pulsacions o acordes hi ha uns buits o espais en els que s\u2019aprecien les seves formes interiors i es van creant diversos volums, tremolors i masses. Aquests silencis, igual que els sons, tenen m\u00e9s espai que mat\u00e8ria i ens fan canviar tota percepci\u00f3.<\/em><\/p>\n<p><em>Vaig escollir el sax\u00f2fon bar\u00edton per les seves qualitats t\u00edmbriques, pel seu gruix i per la seva ductilitat. La modulaci\u00f3 del seu so en viu (para donar aix\u00ed noves respostes tant a l\u2019instrumentista com al p\u00fablic), simult\u00e0niament amb l\u2019electr\u00f2nica fixa, em permetria un material directe, com en brut, FORJANT per compressi\u00f3 acords tancats i complexes, on ja no f\u00f3ra possible percebre ni les seves al\u00e7ades o freq\u00fc\u00e8ncies, ni les caracter\u00edstiques del seu moviment o del seu estatisme. <\/em><\/p><\/blockquote>\n<p><strong>&#8212;<\/strong><\/p>\n<p>T\u2019agradaria saber m\u00e9s coses d&#8217;A CHILLIDA de Merc\u00e8 Capdevila? Voldries treballar-la? No dubtis a <a href=\"https:\/\/joanmf.com\/ca\/contacte\/\">contactar-me<\/a>!<\/p>\n<p>Joan Mart\u00ed-Frasquier<br \/>\nBarcelona, mar\u00e7 2018<br \/>\nActualitzat: setembre 2023<\/p>\n<\/div>\n<\/section>\n<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>Foto extreta de Turismo Donostia Cadascuna de les cinc parts o forges d&#8217;A CHILLIDA \u00e9s un desplegament t\u00e8cnic de l\u2019instrument i de t\u00edmbriques en l\u2019electr\u00f2nica. Simplement espectacular. La compositora MERC\u00c8 CAPDEVILA (Barcelona, 1946) va estudiar al Conservatori Municipal de M\u00fasica de Barcelona i, al mateix temps, Arts Pl\u00e0stiques a l\u2019Escola Municipal \u201cMassana\u201d (Barcelona) i a &#8230; <a title=\"A CHILLIDA, Merc\u00e8 Capdevila\" class=\"read-more\" href=\"https:\/\/joanmf.com\/ca\/a-chillida-merce-capdevila\/\" aria-label=\"M\u00e9s informaci\u00f3 sobre A CHILLIDA, Merc\u00e8 Capdevila\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":4,"featured_media":1461,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"generate_page_header":"","footnotes":""},"categories":[41],"tags":[365,363,78,197,198,201,364,368,49,476],"class_list":["post-1469","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire-ca","tag-a-chillida-ca","tag-compositora","tag-compositores","tag-compositors-catalans","tag-electronica","tag-merce-capdevila-ca","tag-musica-contemporania","tag-musica-contemporania-per-a-saxofon-bariton","tag-saxofon-bariton","tag-saxofon-baritone-i-electronica"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A CHILLIDA, Merc\u00e8 Capdevila<\/title>\n<meta name=\"description\" content=\"Cadascuna de les cinc parts o forges d&#039;A CHILLIDA \u00e9s un desplegament t\u00e8cnic 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