{"id":1391,"date":"2020-10-10T13:58:21","date_gmt":"2020-10-10T11:58:21","guid":{"rendered":"https:\/\/joanmf.com\/?p=1391"},"modified":"2025-06-23T00:30:20","modified_gmt":"2025-06-22T22:30:20","slug":"trois-pour-deux-jeanine-rueff","status":"publish","type":"post","link":"https:\/\/joanmf.com\/ca\/trois-pour-deux-jeanine-rueff\/","title":{"rendered":"TROIS POUR DEUX, Jeanine Rueff"},"content":{"rendered":"<div class=\"av-special-heading av-special-heading-h3 avia-builder-el-0 el_before_av_textblock avia-builder-el-first \"><\/div>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-1384 aligncenter\" src=\"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/TROIS-POUR-DEUX-Jeanine-Rueff.jpg\" alt=\"TROIS POUR DEUX, Jeanine Rueff\" width=\"595\" height=\"841\" srcset=\"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/TROIS-POUR-DEUX-Jeanine-Rueff.jpg 595w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/TROIS-POUR-DEUX-Jeanine-Rueff-212x300.jpg 212w\" sizes=\"(max-width: 595px) 100vw, 595px\" \/><\/div>\n<\/section>\n<div class=\"flex_column av_one_fifth flex_column_div av-zero-column-padding avia-builder-el-7 el_after_av_three_fifth el_before_av_hr column-top-margin\" style=\"text-align: center;\"><em>Portada de l&#8217;edici\u00f3 impresa<\/em><\/div>\n<blockquote>\n<div class=\"hr hr-default avia-builder-el-8 el_after_av_one_fifth el_before_av_heading \">Originalment escrita per a sax\u00f2fon bar\u00edton, hi trobem jocs r\u00edtmics constants entre el sax\u00f2fon i el piano i molts contrasts expressius en les seves melodies.<\/div>\n<\/blockquote>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<h2>La compositora<\/h2>\n<p>JEANINE RUEFF (1922 \u2013 1999) va estudiar al Conservatori Nacional Superior de M\u00fasica de Par\u00eds, on va obtenir primers premis d\u2019harmonia, fuga i contrapunt, composici\u00f3 i hist\u00f2ria de la m\u00fasica. La seva \u00e8poca d\u2019estudiant va culminar el 1948 amb el prestigi\u00f3s <em>Prix de Rome<\/em>.<\/p>\n<p>El 1950, encara al Conservatori de Par\u00eds, va ser nomenada acompanyant de l\u2019aula de clarinet d\u2019Ulysse Del\u00e9cluse i de l\u2019aula de sax\u00f2fon de Marcel Mule. El 1960 va ser nomenada professora de solfeig per a cantants i el 1971 d\u2019harmonia, pla\u00e7a que ocupa fins el 1988. Amb ella van estudiar molts dels directors i professors de conservatoris superiors i regionals i tamb\u00e9 d\u2019universitats d\u2019avui dia.<\/p>\n<p>La seva producci\u00f3 inclou un <em>Concert per a Clarine<\/em>t i un <em>Concertino per a Sax\u00f2fon<\/em>, un <em>Trio<\/em> per a obo\u00e8, clarinet i fagot, el <em>Concert en Quatuor<\/em> per a Sax\u00f2fons, <em>Dialogues<\/em> per a viola i piano, una \u00f2pera de cambra, una Sinfonietta, un conjunt de <em>Variazioni<\/em> per a clarinet, un <em>Diptyque<\/em> per a flauta, una <em>Sonata<\/em> per a sax\u00f2fon sol i, evidentment, nombroses obres pedag\u00f2giques.<\/p>\n<h2>Detalls de l\u2019obra<\/h2>\n<p>Edici\u00f3: \u00c9ditions Combre, Par\u00eds (FRA)<br \/>\nDurada: ca. 9:00<br \/>\n\u00c0mbit (escrit): LA2 \u2013 SOL5<br \/>\nT\u00c8CNIQUES: Alguns passatges molt r\u00e0pids. Precisi\u00f3 en el picat i articulacions. Diversitat d\u2019articulacions. Afinaci\u00f3 dels registres mitj\u00e0 i agut. Multif\u00f2nics.<br \/>\n<em>INTERPRETACI\u00d3<\/em>: Tocar amb expressivitat en les seccions lentes. Tocar amb destresa i agilitat als moviments r\u00e0pids. Conjunci\u00f3 i afinaci\u00f3 amb el piano.<\/p>\n<p><strong><a href=\"https:\/\/www.youtube.com\/watch?v=XGF2Zn1Dvq8\">Mira el v\u00eddeo!<\/a><\/strong><\/p>\n<h2>Significat i estructura de Trois pour Deux<\/h2>\n<p>TROIS POUR DEUX va ser composada per (i dedicada) al saxofonista franc\u00e8s Jean Ledieu i a la seva dona Odile, pianista. Ells mateixos la van estrenar al 7\u00e8 Congr\u00e9s Mundial del Sax\u00f2fon a Nuremberg (Alemanya) el 1982. Jean Ledieu posteriorment va fer l\u2019adaptaci\u00f3 per a sax\u00f2fon alt.<\/p>\n<p>En general, a TROIS POUR DEUX trobem elements musicals d\u2019altres obres per a sax\u00f2fon de la mateixa compositora (<em>Chanson et Passepied<\/em>, <em>Concertino<\/em>, etc.) com f\u00f3rmules r\u00edtmiques de certa complexitat, varietat d\u2019articulacions i passatges r\u00e0pids que donen a les seccions i moviments r\u00e0pids un car\u00e0cter viva\u00e7, gaireb\u00e9 juganer. A les seccions i moviments lents trobem melodies evocadores.<\/p>\n<p>La conjunci\u00f3 entre el sax\u00f2fon bar\u00edton i el piano no \u00e9s evident en un primer moment per\u00f2 a poc a poc es van trobant f\u00e0cilment punts de refer\u00e8ncia. Aquesta obra podria semblar bastant virtuos\u00edstica per al p\u00fablic degut a la seva varietat r\u00edtmica i passatges r\u00e0pids.<\/p>\n<h5>Et comento breument els seus moviments:<\/h5>\n<ol>\n<li>ALLEGRO CON FUOCO: El moviment comen\u00e7a amb un breu motiu de tres corxeres molt en\u00e8rgic (fort i accentuat) en di\u00e0leg entre el piano i el bar\u00edton que es va desenvolupant fins que apareix un altre tema contrastant m\u00e9s juganer i posteriorment un tercer m\u00e9s mel\u00f2dic i igualment r\u00e0pid. Aquests temes aniran apareixent al llarg del moviment, que conclou amb el tema r\u00edtmic inicial.<\/li>\n<li>ASSEZ LENT ET EXPRESSIF: Aquest \u00e9s un moviment l\u00edric i evocador en forma A-B-A. A la secci\u00f3 central, el piano t\u00e9 m\u00e9s protagonisme essent acompanyat pel sax\u00f2fon bar\u00edton amb motius de tresets de semicorxeres lligades.<\/li>\n<li>RAPIDE: El principi recorda molt el primer motiu del primer moviment encara que escrit en comp\u00e0s de 6\/8. En la secci\u00f3 central apareixen valors m\u00e9s llargs que li atorguen una mica de calma i cal destacar la pres\u00e8ncia de tres multif\u00f2nics (un element de la m\u00fasica contempor\u00e0nia que sorpr\u00e8n en la m\u00fasica de Rueff). El moviment acaba d\u2019una manera molt brillant i resolutiva.<\/li>\n<\/ol>\n<p>TROIS POUR DEUX \u00e9s un altre bon exemple d\u2019obra que s\u2019hauria de con\u00e8ixer i interpretar-se m\u00e9s freq\u00fcentment. No m\u2019oposo a la pr\u00e0ctica de tocar transcripcions d\u2019obres d\u2019altres instruments com el violoncel, el fagot, el clarinet baix, etc., per\u00f2 tenim obres originals de qualitat al nostre repertori que hem de difondre. Si no ho fem els mateixos saxofonistes, qui ho far\u00e0 per nosaltres?<\/p>\n<h5><strong>&#8212;<\/strong><\/h5>\n<p>T\u2019agradaria saber m\u00e9s coses de TROIS POUR DEUX de Jeanine Rueff? Voldries treballar-la amb mi? No dubtis a <a href=\"https:\/\/joanmf.com\/ca\/contacte\/\">contactar-me<\/a>!<\/p>\n<p>Joan Mart\u00ed-Frasquier<br \/>\nBarcelona, juliol 2018<br \/>\nActualitzat: febrer 2024<\/p>\n<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>Portada de l&#8217;edici\u00f3 impresa Originalment escrita per a sax\u00f2fon bar\u00edton, hi trobem jocs r\u00edtmics constants entre el sax\u00f2fon i el piano i molts contrasts expressius en les seves melodies. La compositora JEANINE RUEFF (1922 \u2013 1999) va estudiar al Conservatori Nacional Superior de M\u00fasica de Par\u00eds, on va obtenir primers premis d\u2019harmonia, fuga i contrapunt, &#8230; <a title=\"TROIS POUR DEUX, Jeanine Rueff\" class=\"read-more\" href=\"https:\/\/joanmf.com\/ca\/trois-pour-deux-jeanine-rueff\/\" aria-label=\"M\u00e9s informaci\u00f3 sobre TROIS POUR DEUX, Jeanine Rueff\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":4,"featured_media":1384,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"generate_page_header":"","footnotes":""},"categories":[41],"tags":[469,76,471,379,470],"class_list":["post-1391","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire-ca","tag-jeaninne-rueff-ca","tag-joan-marti-frasquier-ca","tag-musica-classica","tag-saxofon-bariton-i-piano","tag-trois-pour-deux-ca"],"yoast_head":"<!-- This site is optimized with the 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