{"id":1359,"date":"2020-10-09T19:25:18","date_gmt":"2020-10-09T17:25:18","guid":{"rendered":"https:\/\/joanmf.com\/?p=1359"},"modified":"2025-06-23T20:16:19","modified_gmt":"2025-06-23T18:16:19","slug":"solo-de-concert-no-2-op-77-jean-baptiste-singelee","status":"publish","type":"post","link":"https:\/\/joanmf.com\/ca\/solo-de-concert-no-2-op-77-jean-baptiste-singelee\/","title":{"rendered":"SOLO DE CONCERT N\u00ba 2 Op. 77, Jean-Baptiste Singel\u00e9e"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\" wp-image-1353 aligncenter\" src=\"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/Jean-Baptiste-Singele\u0301e.jpg\" alt=\"Jean-Baptiste Singel\u00e9e\" width=\"647\" height=\"523\" srcset=\"https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/Jean-Baptiste-Singele\u0301e.jpg 495w, https:\/\/joanmf.com\/wp-content\/uploads\/2020\/09\/Jean-Baptiste-Singele\u0301e-300x242.jpg 300w\" sizes=\"(max-width: 647px) 100vw, 647px\" \/><\/p>\n<div class=\"flex_column av_three_fifth flex_column_div av-zero-column-padding avia-builder-el-1 el_after_av_one_fifth el_before_av_one_fifth \">\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<p style=\"text-align: center;\"><em>Portada de l&#8217;edici\u00f3 original (ca. 1860)<\/em><\/p>\n<\/div>\n<\/section>\n<\/div>\n<div class=\"av-special-heading av-special-heading-h3 avia-builder-el-5 el_after_av_one_fifth el_before_av_textblock \">\n<blockquote><p>Penso que realment val la pena descobrir i treballar el repertori \u201chist\u00f2ric\u201d, composat originalment per al nostre instrument. Aquesta pe\u00e7a n\u2019\u00e9s un bon exemple i a m\u00e9s no \u00e9s massa dif\u00edcil.<\/p><\/blockquote>\n<h2 class=\"av-special-heading-tag\">El Compositor<\/h2>\n<\/div>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<p>JEAN-BAPTISTE SINGEL\u00c9E (1812-1875) va ser un violinista i compositor belga que va viure a Brussel\u00b7les i Par\u00eds en diferents etapes de la seva vida com a violinista en orquestres com les del <em>Th\u00e9atre nautique<\/em>, <em>Orchestre de l\u2019Op\u00e9ra comique<\/em> o la del <em>Th\u00e9atre Royal<\/em>. A partir de 1852, va marxar definitivament cap a B\u00e8lgica i va dirigir algunes orquestres com l&#8217;<em>Orchestre du th\u00e9atre et du casino de Ghent<\/em> o la del <em>Th\u00e9atre d\u2019Anvers<\/em>.<\/p>\n<p>SINGEL\u00c9E va escriure unes 140 obres durant la seva vida. La seva producci\u00f3 inclou dos ballets, almenys un parell de concerts per a viol\u00ed, diverses fantasies per a viol\u00ed i piano (normalment sobre temes d\u2019altres compositors com Bellini, Verdi, Donizetti, Rossini i Weber, com era habitual en el seu per\u00edode), obertures, danses i un gran nombre de peces de concert per a molts instruments.<\/p>\n<p>Amic d\u2019Adolphe Sax durant una gran part de la seva vida, SINGEL\u00c9E va escriure 21 obres per a sax\u00f2fon i piano i 2 quartets de sax\u00f2fons (el seu <em>Premier Quatuor, Op. 53<\/em>, acabat el 1857, es podria considerar com la primera obra escrita per a aquesta formaci\u00f3). Entre aquestes, hi ha 5 obres per a sax\u00f2fon bar\u00edton i piano: <em>Fantaisie Op. 60<\/em> (1858), <em>2\u00e8me solo de concert Op. 77<\/em> (1860-61), <em>3\u00e8me solo de concert Op. 83<\/em> (1862), <em>7\u00e8me solo de concert Op. 93<\/em> (1863) i el <em>8\u00e8me solo de concert Op. 99<\/em> (1864).<\/p>\n<\/div>\n<\/section>\n<div class=\"av-special-heading av-special-heading-h3 avia-builder-el-7 el_after_av_textblock el_before_av_textblock \">\n<h2 class=\"av-special-heading-tag\">Detalls de l&#8217;obra<\/h2>\n<\/div>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<p>Edicions: Roncorp Publications, Inc. (USA)<br \/>\nDurada: ca. 3:30<br \/>\n\u00c0mbit (escrit): DO3 \u2013 DO5<br \/>\nT\u00c8CNIQUES: Notaci\u00f3 tradicional. Control de la respiraci\u00f3 (frases llargues). Afinaci\u00f3. Varietat d\u2019articulacions. Cura dels picats. Alguns passatges r\u00e0pids.<br \/>\nINTERPRETACI\u00d3: Estil cl\u00e0ssic-rom\u00e0ntic. Expressivitat de fraseig a la secci\u00f3 lenta. Tocar amb destresa i agilitat a la secci\u00f3 r\u00e0pida.<\/p>\n<\/div>\n<\/section>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<div class=\"avia-iframe-wrap\"><iframe src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&amp;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F273302581&amp;show_artwork=true&amp;maxwidth=1500&amp;maxheight=1000&amp;dnt=1\" width=\"1500\" height=\"400\" frameborder=\"no\" scrolling=\"no\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/section>\n<div class=\"av-special-heading av-special-heading-h3 avia-builder-el-11 el_after_av_textblock el_before_av_textblock \">\n<h2>Significat i estructura del Solo de Concert<\/h2>\n<\/div>\n<section class=\"av_textblock_section\">\n<div class=\"avia_textblock \">\n<p>Com ja he comentat en anteriors articles sobre el repertori original per a sax\u00f2fon bar\u00edton i piano (llegiu els posts de les obres de <a href=\"https:\/\/joanmf.com\/ca\/2018\/06\/01\/sonata-op-6-garland-anderson\/\"><strong>Garland Anderson<\/strong><\/a>\u2019s, <strong><a href=\"https:\/\/joanmf.com\/ca\/2018\/07\/05\/trois-pour-deux-jeanine-rueff\/\">Jeanine Rueff<\/a><\/strong>\u2019s and <a href=\"https:\/\/joanmf.com\/ca\/2018\/08\/15\/sonate-alain-margoni\/\"><strong>Alain Margoni<\/strong><\/a>\u2019s ones), ens hem de preocupar per con\u00e8ixer i tamb\u00e9 donar a con\u00e8ixer les obres originals del nostre repertori. Si nosaltres mateixos, els saxofonistes, no ho fem, qui ho far\u00e0 per nosaltres?<\/p>\n<h5>El comentari que ve a continuaci\u00f3 est\u00e0 extret del que hi ha incl\u00f2s a l\u2019edici\u00f3 Roncorp publications, signat per Bruce Ronkin:<\/h5>\n<p>El SOLO DE CONCERT N\u00ba 2 Op. 77 de Singel\u00e9e va ser escrit com a obra de concurs del Conservatori de Par\u00eds el 1861 o 1860. Est\u00e0 dedicat a Monsieur Sax P\u00e8re, el pare d\u2019Adolphe Sax, Charles-Joseph Sax (1790-1865) i va ser publicat a la seva editorial, Chez Adolphe Sax. Una de les principals contribucions d\u2019Adolphe Sax al desenvolupament del primer repertori per al sax\u00f2fon va ser la seva activa i continuada motivaci\u00f3 als compositors per a que escrivissin per a aquell nou instrument amb la conseq\u00fcent publicaci\u00f3 d\u2019aquelles obres.<\/p>\n<p>Aquest SOLO DE CONCERT N\u00ba 2 Op. 77 cont\u00e9 una primera secci\u00f3 en tempo moderat, un interludi en\u00e8rgic i una secci\u00f3 final bastant r\u00e0pida. La introducci\u00f3 de vuit compassos, interpretada pel pianista, est\u00e0 escrita en Andante i t\u00e9 un aire gaireb\u00e9 religi\u00f3s. Al comp\u00e0s 9, el sax\u00f2fon bar\u00edton presenta el primer tema en la tonalitat de Mib Major, quedant aix\u00ed establerta en la tota la secci\u00f3. Enlloc de l\u2019habitual cad\u00e8ncia, Singel\u00e9e escriu directament un breu interludi de nou compassos en Allegro en la tonalitat de Do menor que va modulant cap a un acord final en Sib major, l\u2019acord de dominant de la tonalitat original de Mib Major.<\/p>\n<p>La secci\u00f3 final (que s\u2019interpreta al mateix tempo que l\u2019interludi precedent) comen\u00e7a en Mib Major i va alternant amb la tonalitat ve\u00efna al llarg d\u2019aquesta secci\u00f3. La secci\u00f3 que comen\u00e7a al comp\u00e0s 73 est\u00e0 escrita per a que els estudiants del Conservatori de Par\u00eds llu\u00efssin les seves habilitats en el mecanisme i les articulacions, sobre una base harm\u00f2nica en corxeres al piano. Els onze compassos de la coda final, que comen\u00e7a al 104, estan escrits sobre acords de t\u00f2nica i dominant.<\/p>\n<p>A l\u2019edici\u00f3 original, es van ometre algunes anotacions interpretatives relacionades amb el fraseig, les articulacions i les din\u00e0miques.<\/p>\n<h5><strong>&#8212;<\/strong><\/h5>\n<p>T\u2019agradaria saber m\u00e9s coses del SOLO DE CONCERT N\u00ba2 Op. 77 de Jean-Baptiste Singel\u00e9e? Voldries treballar-la amb mi? No dubtis a <a href=\"https:\/\/joanmf.com\/ca\/contacte\/\">contactar-me<\/a>!<\/p>\n<p>Joan Mart\u00ed-Frasquier<br \/>\nBarcelona, octubre 2024<br \/>\nActualitzat: setembre 2024<\/p>\n<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>Portada de l&#8217;edici\u00f3 original (ca. 1860) Penso que realment val la pena descobrir i treballar el repertori \u201chist\u00f2ric\u201d, composat originalment per al nostre instrument. Aquesta pe\u00e7a n\u2019\u00e9s un bon exemple i a m\u00e9s no \u00e9s massa dif\u00edcil. El Compositor JEAN-BAPTISTE SINGEL\u00c9E (1812-1875) va ser un violinista i compositor belga que va viure a Brussel\u00b7les i &#8230; <a title=\"SOLO DE CONCERT N\u00ba 2 Op. 77, Jean-Baptiste Singel\u00e9e\" class=\"read-more\" href=\"https:\/\/joanmf.com\/ca\/solo-de-concert-no-2-op-77-jean-baptiste-singelee\/\" aria-label=\"M\u00e9s informaci\u00f3 sobre SOLO DE CONCERT N\u00ba 2 Op. 77, Jean-Baptiste Singel\u00e9e\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":4,"featured_media":1354,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"generate_page_header":"","footnotes":""},"categories":[41],"tags":[554,556,49,379,555],"class_list":["post-1359","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertoire-ca","tag-jean-baptiste-singelee-ca","tag-repertori-historic","tag-saxofon-bariton","tag-saxofon-bariton-i-piano","tag-solo-de-concours-ca"],"yoast_head":"<!-- This site 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