{"id":1222,"date":"2020-10-19T16:35:26","date_gmt":"2020-10-19T14:35:26","guid":{"rendered":"https:\/\/joanmf.com\/?p=1222"},"modified":"2026-08-23T16:10:18","modified_gmt":"2026-08-23T14:10:18","slug":"15-obres-de-grau-professional-per-a-saxofon-bariton","status":"publish","type":"post","link":"https:\/\/joanmf.com\/ca\/15-obres-de-grau-professional-per-a-saxofon-bariton\/","title":{"rendered":"15 Obres de Grau Professional per a Sax\u00f2fon Bar\u00edton"},"content":{"rendered":"

En un article sobre la introducci\u00f3 al sax\u00f2fon bar\u00edton<\/a> explicava que veig els estudis professionals de m\u00fasica com un bon moment per comen\u00e7ar a tocar el bar\u00edton. A m\u00e9s de l\u2019aula d\u2019instrument, la banda o conjunt instrumental i la m\u00fasica de cambra (formant part, per exemple, d\u2019un quartet de sax\u00f2fons) s\u00f3n espais ideals per descobrir-lo i familiaritzar-se amb les seves particularitats.<\/p>\n

Per\u00f2 el repertori del sax\u00f2fon bar\u00edton va molt m\u00e9s enll\u00e0. Hi ha obres que pots tocar en les audicions del teu conservatori o escola, tant sol com amb piano… i, si t\u2019atreveixes, amb electr\u00f2nica. Per qu\u00e8 no? L\u2019electr\u00f2nica obre tot un m\u00f3n de possibilitats sonores, i les obres que proposo en aquest llistat s\u00f3n molt variades i amenes.<\/p>\n

Quan vaig crear la primera versi\u00f3 d\u2019aquest article, entre 2013 i 2014, vaig voler oferir a l\u2019alumnat i al professorat dels conservatoris de grau professional una guia de repertori per a sax\u00f2fon bar\u00edton adequada a aquest nivell d\u2019estudis. Aqu\u00ed trobar\u00e0s obres que conec b\u00e9, no nom\u00e9s perqu\u00e8 les he estudiat o interpretat alguna vegada, sin\u00f3 tamb\u00e9 perqu\u00e8 n\u2019he treballat algunes amb alumnes.<\/p>\n

Aqu\u00ed tens la meva selecci\u00f3 de 15 obres per a sax\u00f2fon bar\u00edton sol, amb piano i amb electr\u00f2nica, ordenades cronol\u00f2gicament dins de cada instrumentaci\u00f3.<\/strong> Consulta-ho amb el teu professor o professora per veure quines s\u00f3n les m\u00e9s adients per a tu.<\/p>\n

Espero que et sigui \u00fatil!<\/p>\n

\"15<\/p>\n

\n
\n

1) Sax\u00f2fon bar\u00edton sol<\/h2>\n<\/div>\n<\/section>\n
\n
\n

MAKNONGAN (1976), Giacinto Scelsi<\/strong>
\nEditions Salabert (1986), Par\u00eds (FRA). Durada: ca. 4:00
\n\u00c0mbit (escrit): MI3 \u2013 FA#4
\nAquesta obra per a qualsevol instrument greu \u00e9s una molt bona introducci\u00f3 a la m\u00fasica contempor\u00e0nia i al llenguatge tan particular de Scelsi. Et permetr\u00e0 explorar els colors del so i treballar especialment el control de l\u2019aire i, opcionalment, introduir-te en la respiraci\u00f3 circular.
\nMira el v\u00eddeo!<\/strong><\/a><\/p>\n

EL SUR (1997), Adolf Ventas<\/strong>
\nNo editada. Durada: ca. 9:30
\n\u00c0mbit (escrit): DO3 \u2013 LA5
\nUna obra molt representativa del saxofonista, compositor i arranjador Adolf Ventas. Els seus tres moviments mostren la influ\u00e8ncia de la m\u00fasica espanyola de finals del segle XIX i principis del XX, juntament amb la de la m\u00fasica modal francesa de la primera meitat del segle XX.
\nEscolta l\u2019\u00e0udio!\u00a0<\/a>
\nM\u00e9s informaci\u00f3<\/a> sobre EL SUR<\/p>\n

SOLITUDINI (2012), Enric Riu<\/strong>
\nContacta amb el compositor (enricriu@yahoo.es<\/a>). Durada: ca. 4:00
\n\u00c0mbit (escrit): SIb2 \u2013 REb5
\nOriginal per a sax\u00f2fon bar\u00edton, aquesta obra breu i intensa \u00e9s una bona introducci\u00f3 a algunes t\u00e8cniques pr\u00f2pies de la m\u00fasica contempor\u00e0nia, com els multif\u00f2nics i els bisbigliandi, i demana tamb\u00e9 un treball acurat de les din\u00e0miques.
\nEscolta l\u2019\u00e0udio!<\/strong><\/a>\u00a0<\/strong>
\nM\u00e9s informaci\u00f3<\/a> sobre SOLITUDINI<\/p>\n

SIX SHORT PIECES (2014), Greg Bartholomew<\/strong>
\nBurke & Bagley, Seattle (USA). Durada: ca. 6:30
\n\u00c0mbit (escrit): LA2 \u2013 SI5 (DO6, opcional)
\nUn bon exemple de m\u00fasica modal neocl\u00e0ssica americana. Les sis peces breus, de car\u00e0cters ben diferenciats, permeten treballar aspectes com l\u2019articulaci\u00f3, el fraseig i els contrastos expressius dins d\u2019un llenguatge musical convencional.<\/p>\n

ONE MORE LAST TIME (2015), Nicholas Russoniello<\/strong>
\nContacta amb el compositor (https:\/\/www.nickrussoniello.com.au\/store). Durada: ca. 4:30
\n\u00c0mbit (escrit): LA2 \u2013 MI5
\nUna obra atractiva que combina passatges lents i expressius amb altres de m\u00e9s r\u00e0pids i r\u00edtmics, en un llenguatge que incorpora influ\u00e8ncies del tango i del pop-rock.
\nMira el v\u00eddeo!<\/strong><\/a><\/p>\n

Cinc obres, cinc maneres diferents de descobrir el bar\u00edton:<\/strong> el treball del so i l\u2019escolta amb Scelsi, altres llenguatges del segle XX amb Ventas, les primeres t\u00e8cniques ampliades amb Riu, el fraseig i l\u2019articulaci\u00f3 amb Bartholomew i una aproximaci\u00f3 a llenguatges m\u00e9s populars amb Russoniello.<\/p>\n<\/div>\n<\/section>\n

\n

2) Sax\u00f2fon bar\u00edton i piano<\/h2>\n<\/div>\n
\n
\n

FANTAISIE, OP. 60 (ca. 1858), Jean-Baptiste Singel\u00e9e<\/strong>
\nRoncorp Publications, Inc. (USA). Durada: ca. 3:30
\n\u00c0mbit (escrit): DO3 \u2013 SIb4
\nSegurament, una de les primer\u00edssimes obres originals per a sax\u00f2fon bar\u00edton i piano, escrita en l\u2019estil cl\u00e0ssic-rom\u00e0ntic propi de l\u2019\u00e8poca. Una bona oportunitat per descobrir el repertori hist\u00f2ric de l\u2019instrument.
\nMira el v\u00eddeo!<\/strong><\/a>\u00a0<\/strong><\/p>\n

FANTAISIE ORIGINALE POUR SAXOPHONE BARYTON ET PIANO (1877), Louis Mayeur<\/strong>
\nGallica Editions. Durada: ca. 4:00
\n\u00c0mbit (escrit): SI2 \u2013 MIb5
\nUna altra obra original del repertori hist\u00f2ric per a aquesta formaci\u00f3, que alterna passatges l\u00edrics i expressius amb altres de m\u00e9s r\u00e0pids i virtuos\u00edstics, en l\u2019estil caracter\u00edstic de bona part de la m\u00fasica de cambra per a sax\u00f2fon del segle XIX.<\/p>\n

PRELUDE ET DIVERTISSEMENT, Robert Cl\u00e9risse<\/strong>
\n\u00c9ditions G\u00e9rard Billaudot, Paris (FRA). Durada: ca. 3:30
\n\u00c0mbit (escrit): DO#3 \u2013 RE5
\nEncara que aquesta obra no sigui espec\u00edfica per a sax\u00f2fon bar\u00edton (s\u2019interpreta tamb\u00e9 habitualment amb sax\u00f2fon alt o tenor), \u00e9s una bona opci\u00f3 per treballar una gran varietat d\u2019articulacions.<\/p>\n

ROMANCE (1988), Cesar Giovannini<\/strong>
\nSouthern Music Company, Texas (USA). Durada: ca. 4:30
\n\u00c0mbit (escrit): MI3 \u2013 RE5
\nUna obra de car\u00e0cter l\u00edric especialment adequada per treballar l\u2019expressivitat, el fraseig i la riquesa t\u00edmbrica del sax\u00f2fon bar\u00edton.<\/p>\n

CANTO M\u00cdSTICO (2006), Santiago B\u00e1ez<\/strong>
\nContacta amb el compositor (santibaez1982@hotmail.com<\/em>). Durada: ca. 3:30
\n\u00c0mbit (escrit): DO4 \u2013 RE#5
\nUna obra original molt expressiva, ideal com a primer contacte amb el repertori per a sax\u00f2fon bar\u00edton i piano.<\/p>\n

PA\u2019L BARI (2008), Fernando Lerman<\/strong>
\nContacta amb el compositor (ferlerman@gmail.com). Durada: ca. 5:00
\n\u00c0mbit (escrit): LA2 (opcional) \u2013 FA#5
\nEscrita originalment per a quartet de jazz, Fernando Lerman la va adaptar posteriorment per a sax\u00f2fon bar\u00edton i piano. \u00c9s una obra brillant, amb un treball r\u00edtmic exigent, una gran varietat d\u2019articulacions i passatges r\u00e0pids, basada en la chacarera, una dansa de la m\u00fasica tradicional argentina.
\nMira el v\u00eddeo!<\/strong><\/a>\u00a0<\/strong><\/p>\n

Sis obres per descobrir la varietat del repertori amb piano:<\/strong> des de les primer\u00edssimes obres originals del segle XIX de Singel\u00e9e i Mayeur fins a llenguatges m\u00e9s actuals, passant pel treball de l\u2019articulaci\u00f3, el fraseig, l\u2019expressivitat i el timbre. I fins i tot una chacarera argentina amb Pa\u2019l Bari<\/em>!<\/p>\n<\/div>\n<\/section>\n

\n

3) Sax\u00f2fon bar\u00edton i electr\u00f2nica<\/h2>\n<\/div>\n
\n
\n

ALAS DE SEDA (1996), Juan Manuel Cort\u00e9s<\/strong>
\nContacta amb el compositor (jmcortes2@movistar.es<\/em>). Durada: ca. 6:00. Electr\u00f2nica fixa.
\n\u00c0mbit (escrit): DO3 \u2013 FA#5
\nUna bona obra per comen\u00e7ar a treballar amb electr\u00f2nica, que et permetr\u00e0, a m\u00e9s, practicar el canvi entre els dos instruments extrems de la fam\u00edlia: el bar\u00edton en el primer i tercer moviments i el soprano en el segon i quart, si decideixes interpretar-la sencera.<\/p>\n

18 (2009), Joan Arnau P\u00e0mies\u00a0<\/strong>
\nEditions Bar&Co, Ambazac (FRA). Durada: 7:20. Electr\u00f2nica fixa.
\n\u00c0mbit (escrit): REb3 \u2013 DO5
\nUna obra ideal per comen\u00e7ar a treballar amb electr\u00f2nica i explorar els diferents timbres del sax\u00f2fon a trav\u00e9s de la improvisaci\u00f3, dins d\u2019una atmosfera molt envolvent creada per la part electr\u00f2nica.
\nEscolta l\u2019\u00e0udio!<\/strong><\/a>\u00a0<\/strong>
\nM\u00e9s informaci\u00f3<\/a> sobre 18<\/p>\n

AIRE (2009), Andr\u00e9s Lewin-Richter<\/strong>
\nPeriferia Sheet Music. Durada: 9:12. Electr\u00f2nica fixa.
\n\u00c0mbit (escrit): SIb2 \u2013 SOL5
\nUna bona introducci\u00f3 tant al repertori amb electr\u00f2nica com a la m\u00fasica contempor\u00e0nia, amb un llenguatge musical convencional que incorpora tamb\u00e9 alguna t\u00e8cnica ampliada, com el slap.<\/p>\n

SHEROW MUSTERY BAR (2011), Xavier Parlant<\/strong>
\nContacta amb el compositor (xavier.parlant@laposte.net<\/em>). Durada: 4:40. Electr\u00f2nica fixa.
\n\u00c0mbit (escrit): LA2 \u2013 SI5
\nNo tota la m\u00fasica amb electr\u00f2nica ha de ser contempor\u00e0nia o experimental. La influ\u00e8ncia de la m\u00fasica disco i pop en aquesta obra pot fer que fins i tot acabis ballant mentre la toques.
\nMira el v\u00eddeo!<\/strong><\/a>\u00a0<\/strong>
\nM\u00e9s informaci\u00f3<\/a> sobre SHEROW MUSTERY BAR<\/p>\n

Quatre maneres ben diferents de comen\u00e7ar a descobrir la m\u00fasica amb electr\u00f2nica:<\/strong> canviant entre bar\u00edton i soprano, improvisant i explorant nous timbres, introduint algunes t\u00e8cniques ampliades o, simplement, deixant-te portar per ritmes propers al disco i al pop. Com veus, l\u2019electr\u00f2nica pot donar molt de joc!<\/p>\n

Continua descobrint el repertori<\/h2>\n

Espero haver-te mostrat en aquest article que el sax\u00f2fon bar\u00edton t\u00e9 un repertori original molt interessant des del punt de vista pedag\u00f2gic i adequat al nivell d\u2019estudis professionals de m\u00fasica. La varietat d\u2019estils i llenguatges d\u2019aquesta selecci\u00f3 et permetr\u00e0 descobrir diferents possibilitats de l\u2019instrument i apropar-te tamb\u00e9 a la m\u00fasica contempor\u00e0nia i l\u2019electr\u00f2nica d\u2019una manera amena.<\/strong><\/p>\n

Si aquestes 15 obres t\u2019han despertat la curiositat<\/strong>, pots donar un cop d\u2019ull a altres seleccions de repertori on tamb\u00e9 trobar\u00e0s obres de Grau Professional: \u00ab<\/strong>15 Obres M\u00e9s per a Sax\u00f2fon Bar\u00edton (1)<\/a>\u00bb<\/strong> i \u00ab<\/strong>15 Obres M\u00e9s per a Sax\u00f2fon Bar\u00edton (2)<\/a>\u00bb<\/strong>.<\/p>\n

Si tens alguna q\u00fcesti\u00f3 sobre algun dels aspectes d\u2019aquest article o vols compartir la teva experi\u00e8ncia amb l\u2019instrument, no dubtis a contactar amb mi<\/a>.<\/p>\n

Joan Mart\u00ed-Frasquier<\/strong>
\nSaxofonista bar\u00edton, int\u00e8rpret especialitzat en m\u00fasica contempor\u00e0nia i professor de sax\u00f2fon.<\/em>
\nBarcelona
\nActualitzat: 23 d\u2019agost de 2026<\/p>\n

 <\/p>\n<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"

En un article sobre la introducci\u00f3 al sax\u00f2fon bar\u00edton explicava que veig els estudis professionals de m\u00fasica com un bon moment per comen\u00e7ar a tocar el bar\u00edton. A m\u00e9s de l\u2019aula d\u2019instrument, la banda o conjunt instrumental i la m\u00fasica de cambra (formant part, per exemple, d\u2019un quartet de sax\u00f2fons) s\u00f3n espais ideals per descobrir-lo … Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":4,"featured_media":1217,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"generate_page_header":"","footnotes":""},"categories":[34],"tags":[349,478,347,49],"class_list":["post-1222","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pedagogy-ca","tag-pedagogia-del-saxofon-bariton","tag-repertori-per-a-grau-professional","tag-repertori-per-a-saxofon-bariton","tag-saxofon-bariton"],"yoast_head":"\n15 Obres de Grau Professional per a Sax\u00f2fon Bar\u00edton<\/title>\n<meta name=\"description\" content=\"Descobreix 15 obres de Grau Professional per a sax\u00f2fon bar\u00edton, seleccionades pel seu inter\u00e8s pedag\u00f2gic: 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